Liete

实现拍摄却惨遭华纳抛弃的「说出你的机密 Tell Me Your Secret」由Amazon接办,2021年播出。 这部女性主导的10集心思惊悚剧由Harriet Warner执笔。剧集环绕三名脚色开展,每自我都有着奥秘而不安的过往。Lily Rabe扮演Emma,曾直视过某个伤害杀手,她刚坐了三年牢被开释,有一个作为掩护的新身份,想忘却与杀手纠葛的从前；Hamish Linklater扮演John,已经是一名连环案实行者,现在急切想要寻觅救赎；Amy Brenneman扮演Mary,执迷于找到掉落多年的女儿,被定型为「伤心母亲」。跟着他们被推至边沿,「受害者」跟「犯法者」之间的分界限开端变得隐约。别的,Enrique Murciano将表演Peter Guillory,一个看似心胸好心的心思医治师。 卡司还包含Stella Baker!Elliot Fletcher!Xavier Samuel!Chiara Aurelia!Ashley Madekwe等。 该剧原为TNT的名目,以剧名「朱颜祸水 Deadlier Than The Male」 在2017年4月掉掉落试映集预约,2018年2月掉掉落正式剧集预约,6月时更名「说出你的机密 Tell Me Your Secrets」,2018年中下旬正式开拍。全剧于2018-2019年实现拍摄后始终被放置,跟着华纳团体节目战略调剂,被高层以为分歧适TNT。只管是华纳自家结合制片,华纳既不盘算上线HBO Max,也不斟酌寻觅新平台播出。 在被华纳确认摈弃的4个月后,不测由Amazon接办复出。

ThenewDirectorofHomelandSecurityreunitestheteamwhenanuclearpoweredRussiansatelliteisknockedoutoforbitandmustbedivertedbeforeitdetonatesoverSouthernCalifornia.

冉阿让（连姆·尼森LiamNeeson饰）因为偷窃面包而面临着二十年的牢狱之灾，被警长沙威（杰弗里·拉什GeoffreyRush饰）释放后，囚犯的身份让他处处碰壁。走投无路的冉阿让被善良的主教（皮特·沃恩PeterVaughan饰）收留。冉阿让偷了主教的银器企图潜逃，在被逮捕后主教却谎称银器是自己送给冉阿让的礼物。主教的这一举动彻底感化了冉阿让，他决定洗心革面，好好生活。一晃十年过去，冉阿让隐姓埋名成为了小镇的镇长并结识了命运悲惨的女工芳汀（乌玛·瑟曼UmaThurman饰）。冉阿让向命不久矣的芳汀承诺，自己会照顾她年幼的女儿珂赛特（克莱尔·丹妮斯ClaireDanes饰），与此同时，一直都在追踪冉阿让踪迹的沙威亦察觉了镇长的真实身份。

艺术史研究生露西（西尔薇·泰斯图德SylvieTestud饰）被法国十八世纪“雅宴画家”华托的画作所深深吸引，她坚信在画作中一定隐藏着不为人知的惊世秘密。华托的画作中常常出现神秘的女子背影，露西对此产生了浓厚的兴趣，为此展开了一连串对华托生平的研究。在左岸咖啡馆，露西邂逅了神秘的青年艺术家文森特（詹姆斯·提瑞JamesThiérrée饰），两人一见钟情。在文森的协助下，露西发现了藏在巴黎某育幼院的不知名画作“丑角吉尔”。露西的指导教授杜萨（让-皮埃尔·马里埃尔Jean-PierreMarielle饰）却百般阻挠露西的研究，杜萨因为痴迷对华托画作的研究而痛失爱人，他害怕露西跟自己一样踏上被诅咒的命运。然而执着的露西还是典当了父亲遗留下的古董，标得华托所绘的这幅名画，却不曾发觉隐匿在名画背后的爱情魔咒已降临在她与文森特之间。

在新年来临之际，与所爱之人共同分享一个午夜之吻，全年的孤独与压抑都会消失，新的一年亦将充满喜悦与希望。生活在洛杉矶的威尔逊（斯科特·麦克奈瑞ScootMcNairy饰）年届而立，仍然孤独无助。在过去的一年里，他的生活如此糟糕，没有女友，没有工作，内心的欲望得不到释放。为了帮助好友排遣寂寞，威尔逊的好兄弟雅克布鼓励他在Craigslist交友网站发布了一则征友广告。在一年的最后一天，这则广告让威尔逊和寻找真爱的薇薇安（SaraSimmonds饰）相遇……本片荣获2008年弗罗里达电影节评委会大奖最佳影片奖、2009年独立精神奖JohnCassavetes奖、2007年伍德斯托克电影节最佳剪辑奖。

Onaleaveofabsencefromthepoliceforce,LutherislayinglowinarundowncottageontheedgeofEnglandbutavisitfromhisoldcolleaguesattheMetbringsashockingpieceofnewsthatdrawshimbacktoLondoninsearchofthetruth.Meanwhile,agruesomeserialkillerhasstruckthecity.Withatrailofcluesleadingfromonecrimescenetothenext,Schenkandhisteammustworkoutthetwistedlogicthatconnectseachvictimbutthismurderingmastermindismorethanamatchforthepolice,outsmartingthemateverystep.It’snotlongbeforeLutherisbackintheBullpen,determinedtostealamarchonthekillerbeforeit’stoolate.

假如國家不愛我,為國爭光又有何意義！1936年,柏林,德國首辦奧運,種族滅絕亦热火朝天。體育打開始跟政治勾結,男子撐竿跳天下第一Gretel是個德國猶太人,美國揚言若德國打壓猶太人,便杯葛奧運,更點名要Gretel出賽。亡命英國的Gretel頓成納粹黨一枚棋子,雖被急召回國集訓,但國家機器施以種種心身夾擊,更派男扮女裝的Marie挑戰她的代表位置,沒推测敵對關係日久生情。奧運迷看點：撐竿跳古賽制!從前奧運飛船飄升的大場面。兩配角的真身曾在萊芬斯坦的「奧林匹克」表态。

科特兹是一家建于上个世纪的神秘酒店，原来的老板马奇（埃文·彼得斯EvanPeters饰）死于非命后酒店就染上了一层神秘色彩。如今的老板伯爵夫人（LadyGaga饰）与她的情人多诺万（马特·波莫MattBomer饰）似乎有着更不为人知的秘密。酒店的门店经理丽姿.泰勒（丹尼斯·欧哈拉DenisO'Hare饰）与艾瑞斯（凯西·贝茨KathyBates饰）似乎另有打算。看似平静的一切被一起连环凶杀案打破了，警察约翰（韦斯·本特利WesBentley饰）进入酒店进行调查，却发现真相似乎更加的可怕。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

在Rosewood镇宁静的外表下，隐藏着不少秘密。三年前，镇上四个最漂亮的女生——Aria（露西·海尔LucyHale饰），Spencer（特莉安·贝利索里奥TroianAveryBellisario饰），Hanna（艾什莉·本森AshleyBenson饰）和Emily（薛·米契尔ShayMitchell饰）的朋友、学校最受欢迎的女生Alison（萨莎·皮特丝SashaPieterse饰）突然失踪，四人发誓保守秘密但关系却渐行渐远。三年之后，四人收到神秘人A发来的短信，知道她们隐藏了很久的、只有Alison才知道的秘密。以为A就是Alison，然而警察在Alison的后院里找到了她的尸体，神秘的A始终是个谜。