Em
搜索"Em" ，找到 以下影视作品
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布莱克·爱德华兹
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一对酒鬼夫妻，尝试一切办法过上常人的生活，结局令人心碎…… 1963年四项奥斯卡提名（最佳男主角、最佳女主角、最佳艺术指导、最佳服装设计），获最佳原创歌曲奖 Jack Lemmon和Lee Remick分获1963年圣塞巴斯蒂安电影节最佳男女演员奖
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樊启鹏
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[InAsYouSee,Farockisearchesforthoseinstancesandfactsinthehistoryoftechnologythathavebeenoverlookedorignored,alsoexploringtheambivalentrelationshipbetweentechnologiesdevelopedforciviluseandthosedesignedformilitarypurposes.Thusthefilmforinstancedescribeshowinthe1970'sworkersattheBritisharmsfactoryLucasAerospaceattemptedtod...
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ITV’ssixpartfactualdrama,WhiteHouseFarm,producedbyNewPicturesrevolvesaroundonefatefulnightinAugust1985whenfivemembersofthesamefamilyweremurderedatanEssexfarmhouse;SheilaCaffell,hertwinsix-year-oldsons,DanielandNicholas,andherparents,NevillandJuneBamber.TheserieswillseektoprovidefreshinsightintothisfamilytragedyandthecontestedaccountsoftheeventsthattookplaceatWhiteHouseFarm.Basedonextensiveresearch,interviewsandpublishedaccountsincluding,‘TheMurdersatWhiteHouseFarm’byCarolAnnLeewithadditionalmaterialfrom‘InSearchofTheRainbow’sEnd’byColinCaffell,husbandofSheilaandfathertoDanielandNicholasCaffell.EssexPoliceinitiallybelievedthatSheila,whohadmentalhealthproblems,hadmurderedherownfamilybeforeturningthegunonherself.ButDetectiveSergeantStanJoneshaddoubtsaboutthemurder-suicidetheory,andaboutSheila’sbrotherJeremyBamber,whofirstcalledthepolicetothefarm.EventuallyitwasJeremyBamberwhowaschargedandconvictedofthemurdersofhisownparents,sisterandnephews.Bamberiscurrentlyservinglifeimprisonmentwithoutthepossibilityofparole.HeisoneofthefewprisonersintheUKsubjecttoawhole-lifeorder.Bamberstillmaintainshisinnocence.
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"whentwoworldscollide;theybecomeone."SetinthepicturesquecityofUdaipur,DhadakisthestoryofMadhukarandParthavi.Fromthemomenttheyseteyesoneachother;MadhukarandParthavifeltsomethingfamiliar,somethingpure,butastheirloveblossomed,sodidtheirproblems.Tornbetweensocietyandtheirfamilies,theirfatebecameuncertain.DHADAKisasimple,passionatestoryaboutfirstlove.
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[InAsYouSee,Farockisearchesforthoseinstancesandfactsinthehistoryoftechnologythathavebeenoverlookedorignored,alsoexploringtheambivalentrelationshipbetweentechnologiesdevelopedforciviluseandthosedesignedformilitarypurposes.Thusthefilmforinstancedescribeshowinthe1970'sworkersattheBritisharmsfactoryLucasAerospaceattemptedtod...
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奥斯丁（埃米尔·赫斯基EmileHirsch饰）和父亲汤米（布莱恩·考克斯BrianCox饰）同为镇上的验屍官，某天晚上，刑警谢尔顿（迈克尔·麦克埃尔哈顿MichaelMcElhatton饰）送来了一具无名女屍，希望汤米和奥斯丁能够在天亮之前弄清楚她身上的秘密。奇怪的是，这具女屍身上没有任何的淤青或伤口，然而她的内脏和骨骼却伤痕累累，很显然生前遭到了残酷的虐待。在解剖的过程中，难以用科学解释的谜团越来越多，挑战着汤米丰富的经验和好奇心，而屋外忽然降下的暴雨亦给这个不平凡的晚上带来了一丝阴森的气氛。行踪诡异的人影，忽近忽远的脚步，似真似幻的可怕光景，很快，父子两人便发现，他们要做的最重要的事情并不是解开女屍之谜，而是尽快的逃离她，逃得越远越好。
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MayansM.C.followsthelifeofEzekiel“EZ”Reyes,amemberoftheMayansM.C.charterontheCali/Mexiborder.EZ,hisbrotherAngelandtherestoftheSantoPadreM.C.faceretaliationfromotherchartersafterafailedattempttoalignunderoneKing.Meanwhile,EZandAngelhavegrowndistantfromtheirfatherFelipe(EdwardJamesOlmos)afteraheartwrenchingbetrayal.
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尼亚孜.古尔(Ata Demirer) 是一个普通的兽医. 他需要一批兽医类应届大学毕业生, 之所以他亲自开卷神奇的公式应聘新一批此行类毕业生.
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加里·弗莱德
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华盛顿警官亚历克斯·克洛斯（摩根·弗里曼 Morgan Freeman饰）是警方的一名心思征询专家。他忽然接到在北卡罗来纳州达勒姆小镇上学的侄女掉落的新闻。为了找到侄女,亚历克斯决议一探毕竟。但是当他达到外地警员局后,亚历克斯发明这里曾经持续掉落了多名美女,本人的侄女只是受害者之一,她们无一破例的都是既聪慧又英俊的优良女孩。逝世里逃生的女大夫凯特·麦克蒂尔南（艾什莉·贾德 Ashley Judd饰）是独一幸运逃走的女孩,她只记得凶犯是一个头戴面具自称“卡萨诺瓦”的掉常杀人狂。凯特为亚历克斯供给了很多有代价的线索,但是狡诈的“卡萨诺瓦”却一直不现身仍逃出法网。一场漫长而艰苦的追捕开端了。 本片依据美国着名滞销小说家詹姆斯·帕特森的同名小说改编而成。
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50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
