Well
搜索"Well" ，找到 以下影视作品
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彼得·霍尔
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奥利·亚历山大
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凯莉·霍威
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斯蒂芬·弗雷
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尼尔·帕特里克·哈里斯
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莉迪娅·韦斯特
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塔祖·卡尔瓦略
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凯文·迪恩
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Ken Christiansen
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Neil Ashton
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Nathaniel Curtis
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Omari Douglas
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Callum Scott Howells
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David Carlyle
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Michelle Greenidge
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Shaniqua Okwok
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Grant Crookes
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Charles Armstrong
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Toto Bruin
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Channel 4的5集剧「#男孩们# Boys」报告80年月时三个男孩Ritchie（Olly Alexander饰）﹑Roscoe及Colin的故事,剧情长度将高出10年。三名配角在18岁时候开故乡,带着生机﹑野心离开伦敦。但是当他们沾染上爱滋病后（昔时有产生血液传染案,形成大批人沾染肝炎及爱滋病）,这在事先仍旧充满着种种流言的病使他们在别人眼中是威逼﹑恐惧的存在,不外配角们也因而连合起来。 剧集还会报告配角们的友人﹑爱人﹑家人,他们将独特面临病情﹑被别人拒之门外﹑事先对同性恋者的成见等。除了Olly Alexander外,其余演员包含Neil Patrick Harris﹑Keeley Hawes﹑Stephen Fry﹑Tracy Ann Oberman﹑Shaun Dooley﹑Omari Douglas﹑Callum Scott Howells及Lydia West。
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J·布莱克森
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刚刚出现在《王牌特工：源起》的Gemma Arterton确认加盟由《我很在乎》导演Jonathan Blakeson在Disney 英国区确认开发的剧集《罪魁祸首》（Culprots），将和早前公开的其它演员一起参与到本周开始的拍摄中。 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?这个项目被描述为一个劫盗类的剧集，是Disney 早前确认进军英国原创内容领域公布的首批项目；剧集以一个如今已分道扬镳的抢劫团队展开，当中的成员发现它们被一个神秘的杀 手当作目标，会接连将它们解决掉。 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?参与剧集的还包括：《世代》“Sam” Nathan Stewart-Jarrett、《失落的秘符》“Peter”Eddie Izzard、《致命女人》“Taylor”Kirby Howell-Baptiste和《异星灾变》“Sue”Niamh Algar。
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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阿尼斯·巴兹弥
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A tourist group from India sets out on a vacation to only have their trip to turn into a patriotic mission. Will it end well for them?
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Afterthetragiceventsoftheseriesonefinale,ourteamofembattledprisonofficers,ledbyLeighHenry,aredeterminedtomakeafreshstart.ButasthosebehindthecelldoorsofCWingknowonlytoowell,movingonisn’talwayssimple.Withchangesattheverytopandfreshfacesbothonthewingandinthestaffroom,Leigh’snewbondwithRose-andthesecretstheysh...
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瓦洛·图姆拉
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为了修复感情裂痕，安娜和尤汉来到朋友海边的别墅度假。海泳时，他们偶遇失足礁石而意外受伤的陌生女人。安娜和尤汉将她和她丈夫收留进别墅，假装是屋子的主人。谁知，这一决定竟引发了一连串的伪装、角色扮演和心理游戏，事态也一步步走向暴力冲突和灾难的边缘…… Intent on repairing a rift in their relationship, Anna and Juhan retreat to a seaside house lent to them by well-heeled friends. After witnessing an accident on rocky shore, they take in a wounded woman and her husband - a couple they find they have a lot in common with. Anna and Juhan begin to pretend they own the house, engaging their guests in a game of domination that propels their relationship to the brink of destruction.
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RADIOGRAMissetin1971Bulgaria,undertheCommunistregime:whenanywesterninfluence,especiallymusic,isanationalthreat.AtimewhenradiostationslikeBBC,DeutscheWelleandRadioFreeEuropearemuffledandprohibitedandwhenallreligiousorganisationsarerestrainedandanysuchexpressionisbanned.Basedonatruestory,itfollowsafather,whowalksforalmost100kmtotownsohecanbuyanewradioforhisrock’nrollobsessedson.Thefilmisaboutmusic,freedomandidentity
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SUPERCOOL马其顿动作幻想片！ sometimes i think it's a shame that movies like this one don't get the exposure that they deserve - that very few people will get to enjoy them... but sometimes, i think that the lack of exposure is what makes movies like this one - if indie was mainstream it wouldn't have been indie, would it?... so, the best thing i could say about "Zbogum na 20 vek" is a that it's a great movie, but it's not for everyone. the story is rather controversial, the level of blood and gore on screen is rather high (it makes the US horror flicks from the '90s look like kindergarten cartoons) and the editing... well, it's so uneven, that it might induce vomiting... however, if you have the stomach to go over these things, chances are that you will love this film, because it is indeed full of heart. if you don't love it, watch it again... once you know what's happening in the movie it will be much easier for you to pick up all the small details that not only make the scenes look cooler, but also deeper (i have a theory that the whole movie could be seen through symbols only, but it's too long to write it down here)... none of my friends liked it at first, but after two or three viewings, they find it at least respectable if not outright brilliant... so, to cut things up, if you can find this movie, see it by all means. 9.5/10
