Taher
搜索"Taher" ，找到 以下影视作品
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Witnesses is a simple, yet powerful moving trilogy, depicting the horrors of the Holocaust. Each story in the film provides an unusual, yet harrowing perspective on the tragic events during World War II, told from the perspective of three uncanny witnesses. Shoes, the shortest of the stories, does not have a single line of dialogue or even a face featured in it. All we see is a pair of red shoes which beautifully depict first love, then marriage, the start of family life and the onset of the tragic war. Brutus, is a story about a German Shepherd dog separated from her beloved mistress and turned into a guard dog at a concentration camp. The final story, Violin, opens at the beginning of the 20th Century in a violin shop, where the instrument was created as a present for a Jewish boy. The violin becomes witness to the tragic events that followed during the Holocaust. A captivating score, makes this less than conventional film expose the sheer evil and terror that pervaded every aspect of the Holocaust, and is sure to open the eyes of everyone who sees it.
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赛斯·戈登
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加布里埃尔·巴索
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卢西安·布坎南
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周洪
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D.B.伍德塞德
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恩里克·穆西安诺
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伊芙·哈洛
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莎拉·德贾斯丁
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福拉·埃文斯·阿金博拉
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菲尼克斯·拉伊
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安德烈·安东尼
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托比·莱文斯
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Philip
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Prajoux
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Jessie
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Liang
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Andres
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Collantes
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库蒂斯·伦姆
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Alex
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Rose
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理查德·哈蒙
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罗纳德·帕特里克·汤普森
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卡瑞·玛切特
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西蒙娜·凯塞尔
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马基安·塔拉修克
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丽贝卡·斯塔巴
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格雷斯顿·霍尔特
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斯蒂芬·阿德科鲁
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杰西·弗雷泽
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塞巴斯蒂安·罗伯特斯
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杰森·德里恩
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在监控紧急专线时，警觉的联邦调查局探员PeterSutherland（加布里埃尔·巴索GabrielBasso饰）接听了一通电话，结果被卷入一桩牵涉白宫内奸的致命阴谋。
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乔·林奇
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An erotic body-swapping horror where a psychiatrist becomes obsessed with one of her young clients with multiple personalities.
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Four swindle stories, taking place successively in Tokyo - Japan (Les cinq bienfaiteurs de Fumiko), Amsterdam - The Netherlands (La riviere de diamants), Italie (La feuille de route), and Paris - France (L'homme qui vendit la tour Eiffel).
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A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's The Women. It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men. The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work against the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.
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Sachin
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AvaneSrimannarayanisaPeriodRomComentertainerinwhichRakshitShettywillbeplayingacorruptpoliceofficer.ThemovieismadeonahighscaleandwillbereleasinginthemonthofAugust.ItisthemostanticipatedmovieasRakshitisreturningtom.77mi.ccbigscreenafter2longyearsandcarryingthefameofKirikpartyandUlidavaruKandantewhichbrokealltherecordsinboxofficeandCritics.
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约翰·巴特勒
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Followingondirectlyfromthefirstseries,TheOutlawsstillhavetimetoserveontheirsentences,butnowtheymustfacethefalloutfromtheiractions.Iftheythoughtthecriminalunderworldorthelocalpoliceweredonewiththem,theyaresorelymistaken.TheOutlawsmustdependononeanotherwhileworkingwithunlikelyalliestoatonefortheirsins–butcantheysavethemselveswithoutsacrificingtheirsouls?
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On Christmas Day, DAVID, 15, finds out that his boyfriend, JONATHAN, 17, has taken another lover. The discovery leads him on the brink of depression making him think of ways to have him back at all cost. He has invited Jonathan to see him on this day for the last time. And through the frenzy of his preparations prior to meeting Jonathan, we will discover his traits and personality; the 'worlds' he lives in - virtual and real; and, we will witness how he prepares for his most unique shout-out that he will make not only on his Facebook wall, but, in his life.
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Mistakenlybelievingthathisroleistoservejustice(“NoWill,aBarrister’sjobistowin”),Willmustnavigatehiswaythroughacriminaljusticesystemseeminglydesignedtobeasopaqueandconfusingaspossible.Whilealsodealingwithhisfellowpupils,eachofthemafterthesamesinglejobattheendoftheirtrainingandmorethanhappytostabeachotherinthebacktogetit.Canhesucceedandholdontohisprinciples?Orwillthesystemclaimanothervictim?
