NJ
搜索"NJ" ，找到 以下影视作品
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AfterthemurderofhertwoScandinavianfriendsinMorocco,ARussianbloggerdecidestodoherownjustice.
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保罗·霍恩
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暑假即将到来，米奇（黛米·洛瓦托DemiLovato饰）怀揣着兴奋与期望，期待着和朋友肖恩（乔·乔纳斯JoeJonas饰）、奈特（尼克·乔纳斯NickJonas饰）和杰森（凯文·乔纳斯KevinJonas饰）等人一起度过一段美好的夏利营时光，共同谱写音乐的梦想。然而，令米奇没有想到的是，一个名为“夏令营之星”的新兴夏利营冉冉升起，吸引了大部分人的目光，就连夏利营女王苔丝（梅甘·洁特·马丁MeaghanJetteMartin饰）都被吸引了过去，这可怎么办是好？与此同时，奈特爱上了名为丹娜（克洛伊·布里吉斯ChloeBridges饰）的美丽女孩，而丹娜所属的阵营，正是夏利营之星。为了决定去留，米奇等人只得和夏利营之星的成员们站上了擂台，等待着他们的，是一场充满了激情和挑战的精彩比赛。
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内详
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Jom
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Thanathorn
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Khuankaew
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Noh
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Phouluang
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Thongpaseuth
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马伟民
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王敏成
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Tontae
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Tinnakorn
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Puwasakdiwong
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Fourwheels
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Chayanond
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Boonmanawong
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Bhu
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Bhudis
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Viseshchitra
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Dan
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Kreangsak
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Muangsaen
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Winner
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Tanatat
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Kunaneksin
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JinakeSamanistheuniversitymoonintheengineeringfaculty,knownacrossthewholecampusasthehottestmoon.Therewasthesayingamongthecampus“NothingandnoonewashotterthanMr.Jin!”Onedaywhenhisgirlfriendbrokeupwithhim,hefellapartindespair.HelaterdiscoveredthatthegirlwhobrokehisheartwasthecousinoflawstudentBom.JinmisunderstandsthatBomandhiscousinwereflirtingwhenactuallyhelikesJin.BomhaslikedhimsincehewasafreshmanoneyearagoafterJinexchangedBom’slunchbox(becausehecouldn’teatanythingspicy)withhisownfoodandrice.Asfeelingsgrowbetweenthem,canJinunderstandBom’strueintentionsandcometoseeBomasmorethanjustajunior?
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伊万·阿达勒
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本·阿塔尔
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Suzanne Jouannet
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夏洛特·甘斯布
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马修·卡索维茨
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皮埃尔·阿迪提
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奥黛丽·达娜
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本杰明·拉维赫尼
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茱迪丝·谢拉
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Réjane Kerdaffrec
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杰拉德·沃特金斯
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弗兰兹-鲁道夫·郎
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卡米尔·拉萨特
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Anne Bouvier
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Sarah Chaumette
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Marcel Gitard
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Unjeunehommeestaccuséd’avoirvioléunejeunefemme.Quiestcejeunehommeetquiestcettejeunefemme?Est-ilcoupableouest-ilinnocent?Est-ellevictimeouuniquementdansundésirdevengeance,commel’affirmel’accusé.N’ya-t-ilqu’uneseulevérité?Leschoseshumaines,interrogelemondecontemporain,démontelamécaniqueimpitoyabledelamachinejudiciaireetnousconfronteànosproprespeurs.
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埃文·彼得斯出报告述澳洲女歌手海伦·瑞迪的列传片[我是女人](I Am Woman,暂译)。导演Unjoo Moon,影片聚焦上世纪七十年月澳洲着名女歌手海伦·瑞迪,片名出自瑞迪演唱的同名歌曲,该歌曲曾被选为事先女权活动的主题曲。蒂尔达·格哈姆-哈维饰瑞迪,埃文·彼得斯饰瑞迪的老公杰夫·沃尔德,也是她的经纪人。影片将在澳大利亚开机。
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唐·迈克尔·保罗
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MajorRonanJackson(DevonSawa),anaccomplishedfighterpilotfortheIsraelDefenseForcesandsonofaU.S.Senator(RobertPatrick),isshotdownwhileflyingthroughSyrianairspace.Aftermiraculouslysurvivingthecrash,JacksonistakencaptivebyagroupofHezbollahmilitiamen.Agrippingandpowerfulstorypackedwithhard-hittingaction,Jarhead:LawofReturnfollowsasquadofMarines,ledbySergeantDaveFlores(AmauryNolasco),astheyrisktheirownlivesinthehopesofsavinganallytheyvenevermet.
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Addressesthelegendofafilm,longthoughtlost,thatresultedindeathorinjuryforthefewwhosawit.Thenrevealsthatkillerfilm,titledAntrum,hasbeenfound,andshowsit.
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纽约古根海姆美术馆年青的古代艺术馆长贝丝（克里斯汀·贝尔 Kristen Bell 饰）是个任务狂,她很不看好妹妹一见仍旧式的闪电完婚,却仍然挤出时光飞往意大利罗马加入婚礼。在婚礼上,贝丝对前橄榄球员的尼古拉斯（乔什·杜哈明 Josh Duhamel 饰）一见仍旧,却在陈旧的恋情许诺池边看到尼古拉斯亲吻其余女人。心满足足的贝丝趁酒醉跳进许诺池高声叱责爱神雕塑,并捡起了他人投下的三枚硬币及一枚赌桌筹码带回了美国。没想到陈旧的意大利传说居然显灵,被贝丝捡到硬币的男子纷纭向她跋扈狂求爱,焦头烂额的贝丝却还得顶着老板莎莉丝特（安杰丽卡·休斯顿 Anjelica Huston 饰）的压力确保艺术馆年度筹款酒会的胜利。症结时辰竟是尼古拉斯帮了大忙,而就在贝丝幸福地坠入爱河之际,她才认识到,那枚从许诺池拣得的筹码竟属于尼古拉斯。真情仍是假爱！贝丝疼痛万分……
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
