Ary
搜索"Ary" ，找到 以下影视作品
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简·西摩
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丹妮尔·瑞恩
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凯文·J·瑞恩
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Ciara O'Callaghan
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斯图尔特·格雷厄姆
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Rohan Nedd
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Rose O'Neill
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Anthony Delaney
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艾米·胡伯曼
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Morgan C. Jones
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保罗·泰来克
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Maghnús Foy
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Conor Lambert
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亚当·弗格斯
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Serena Kennedy
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斯蒂芬·霍根
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Gina Costigan
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Lynette Callaghan
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爱丽丝·麦卡锡
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保罗·雷德
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艾登·奥黑尔
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艾米·德·毕罕
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诺玛·谢汗
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《哈里·怀尔德》是由Acorn TV制作的犯罪悬疑剧集，由艾美奖得主简·西摩饰演哈丽特·怀尔德（Harriet“Harry”Wild），她是一位刚刚退休的英语教授，在成为抢劫案受害者后，她发现自己正处于人生的十字路口，并同意在她的警探儿子家中康复。哈里一到儿子家，就开始干涉儿子的谋杀案调查，她注意到这件谋杀案与一部不起眼的电视剧有相似之处。当她遇到那个抢劫犯费格斯·里德时，哈利没有把他交出来，而是让他成为她的伙伴，然后他们开始抓捕凶手。
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ACLUlawyerJefferyRobinson’sshatteringtalkonthehistoryofU.S.anti-Blackracismisinterwovenwitharchivalfootage,interviewsandRobinson’sstory,exploringthelegacyofwhitesupremacyandourcollectiveresponsibilitytoovercomeit.
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本剧（SecretDiaryofaCallGirl）改编自一名自称“白日美人”（BelledeJour）的性工作者的博客“白日美人：一位伦敦应召女郎的日记”（BelledeJour:diaryofaLondoncallgirl），讲述了一名应召女郎两面生活：面对家人，她是Hannah（BilliePiper饰演），一个做着无聊甚至无人愿意提及的工作的法律秘书；面对各类客人时，她是Belle（BilliePiper饰演），或冷艳或妩媚或可人或羞赧的高级娼妓。
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This three-part series journeys the length, breadth, and height of the Andes to reveal the incredible natural history of the longest mountain range on earth. In the Northern Andes, rising mountains and erupting 册canoes have produced a stunning variety of life. Boasting poison frogs, legless amphibians, high-flying monkeys, the continent"s only bears, and the world"s last tropical glaciers, the Northern Andes are unlike anywhere else on Earth.
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1983年，连环杀人犯亨利·卢卡斯（AntonioSabatoJr.饰）落网，资深警长拉洛比（JohnDiehl饰）奉命审讯这个冷血狂魔。亨利极为配合，不仅指出了每一次作案和藏尸地点，还详尽回忆了作案的全过程。未过多久，德州某报记者致电拉洛比，要求采访这名震惊全国的杀人狂。在记者面前，亨利张口回忆了自己的过去。20世纪40年代，出生在弗吉尼亚西部的亨利没有体验过快乐的童年，他每天要做各种各样的家务，稍有差池便会遭到母亲维拉（CaiaColey饰）的残酷毒打，更时常蒙受精神上的羞辱。童年和青年时代的经历无疑给了他巨大的影响，荒凉漫长的国家公路上，嗜血狂魔一路前行……本片根据连环杀人犯HenryLee的故事改编。
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Nostalgic for his glory days, a frustrated stay-at-home dad invites all of his high school Facebook friends to an 80s-themed surprise party for his exhausted corporate wife.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
