Sable
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在北英格兰平民区某幢房子里，住着一个沉默寡言、内向羞涩的少女（JaneHorrocks饰）。自从疼爱她的父亲去世后，她变得愈加沉默，每天躲在自己的房间内，听父亲留下的唱片；与之相对，她的母亲玛丽（BrendaBlethyn饰）则是个粗鲁肤浅的女人，她看不惯女儿沉默的样子，因此给女儿取了个绰号——小嗓门。但谁也不知道，小嗓门却拥有一副神奇的好嗓子。她可以逼真模仿茱蒂嘉兰、玛丽莲梦露、莎莉贝雪等名伶的经典曲目，其相似度几可乱真。当然，她的舞台只限于狭小的房间，玛丽根本不知道女儿这副嗓子的价值。玛丽的新男友瑞赛——一个落魄的星探——偶然听到小嗓门的歌喉，惊为天人。为了摆脱困境，他决定抓住这个千载难逢的机会，将小嗓门推向大众舞台……
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I’mnotatallsurprisedSyfydecidedtorenewHavenforanewseason,buttherewasafuntwisttothishappystory.Normallywhenthere’satwistit’sfortheworst,butSyfymustwww.aiyoutv.comhavebeeninagoodmoodwhentheywerebrainstorminghowtomesswiththeseriesbecauseitwasdecidedtodoubletheusualorderofepisodesforHaven.Nowinsteadof13episodes,Haven’sfifthseasonwillbe26episodes.www.iav5.comCanyouimaginewhattheserieswilldowithallthatextraairtime?It’llbelikehavingtwoseasonsinone!Oroneregularsizedbroadcastnetworkseason,whichisprobablytherightwaytodescribeit.TVLinereportedontherenewal,butitwasstarEmilyRosewhobrokethenewsoverTwitter.SheawesomelyreferredtothedoubleorderofepisodesasicingonthecakeandI
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马修·汤姆森
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斯蒂芬·弗雷
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这是一部对于恐龙的科教记载片,北极：7万万年前。一个极真个天下。冬季的阳光酿成了24小時寒冷的夜晚。恐龙们不得不做出挑选,大胆的向南迁徙以寻觅阳光。一段布满了狂风雪,火山暴发跟致命佃猎者的伤害路程,一个年青的埃德蒙頓龙开端了他的第一个千里迁徙.片中令人赞叹的CG动画 跟经心构建的数码天下,能够說是真正的恐龙片子演化,令人震动.The Arctic: 70 - million years ago. It is a world of extremes. Tropical summers of 24hr sunlight are replaced by freezing winters of continuous night. The remarkable dinosaurs that lived under the Northern Lights had to make a choice, brave the winter or head south to find the sun.Join Scar, a young Edmontosaurus embarking on his first thousand-mile migration. It is a journey for survival that is fraught with danger; blizzards, 册canic eruptions and deadly predators lie ahead. Meanwhile Patch, a juvenile Troodon, left alone in the North, must learn to survive in one of the harshest environments the Earth has ever known.This epic feature-length adventure portrays an incredible polar odyssey that actually happened but has neverbeen witnessed before. Based on recent fossil evidence blasted out of the ice around the North Pole, the makersof ''Walking with Dinosaurs'' and ''Prehistoric Park'' are delighted to introduce you to an all-new cast of dinosaurs, from feathered tyrannosaurs to giant marine predators. Featuring stunning animation and a painstakingly recreated digital world, it can truly be said that the dinosaur film has e册ved.
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迈克尔·莫里斯
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SmashisanAmericanmusical-dramatelevisionseriesthatpremieredonNBConFebruary6,2012.TheserieswascreatedbyplaywrightTheresaRebeckanddevelopedbyNBCexecutiveRobertGreenblatt,andfameddirectorStevenSpielbergservesasoneoftheexecutiveproducers.TheseriesisbroadcastintheUnitedStatesonthenetworkchannelNBCandisproducedbyDreamWorksTelevisionandUniversalTelevision.ThesecondseasonpremieredonFebruary5,2013.TheseriesrevolvesaroundafictionalNewYorktheatercommunityandspecificallythecreationofanewBroadwaymusical.Itfeaturesalargeensemblecast,currentlyledbyDebraMessing,JackDavenport,KatharineMcPhee,ChristianBorle,MeganHiltyandAnjelicaHuston.Theseries,particularlythepilotepisode,hasenjoyedconsiderablesuccess.ThefirstseasonreceivedanEmmyAwardforchoreography,anditwasalsonominatedforaGoldenGlobeandaGrammyaward.
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HAN Jay
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Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
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ArmandoIannuccipresentsapersonalargumentinpraiseofthegeniusofCharlesDickens.Throughtheprismoftheauthor’smostautobiographicalnovel,DavidCopperfield,ArmandolooksbeyondDickens-thenationalinstitution-andinsteadexploresthequalitiesofDickens’sworkwhichstillmakehimoneofthebestBritishwriters.WhileDickensisoftencelebratedforhispowerfuldepictionsofVictorianEnglandandhisroleasasocialreformer,thisprogrammeforegroundstheelementsofhiswritingwhichmakehimworthreading,asmuchforwhathetellsusaboutourselvesinthetwenty-firstcenturyasourancestorsinthenineteenth.ArmandoarguesthatDickens’sremarkableuseoflanguageandhisextraordinarygiftforcreatingcharactersmakehimastartlinglyexperimentalandpsychologicallypenetratingwriterwhodemandsnotjusttobeadaptedfortelevisionbuttobereadandreadagain.
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Abitofcolorforonce,allthebettertoseetheredflagswith,nottomentiontheobviousaerialfilefootageofWarsaw.ThestoryconcernsJozefMalesa,themasonorbricklayerofthetitle.Hewasoncethedarlingoftheparty,thesonoftwooldpartyactivists,aworkerofheroicreputation,hisowncommitmenttoTheMovementunquestioned.Hewaschosentobedestinedforgreatthings,speciallyeducatedandpushedforwardtopositionsofresponsibilityintheParty.Eventuallyhedecides,becau搜索引擎优化ftheethicalpressureswhichhefeelsfromtheobstructionismofthebureaucracyfromabove,heaskstoreturntobeasimplebricklayer.HeisdisturbedwiththewaythePartydealswithpeople,especiallytheirlackofdirectcontact.Hethinksworkersknowbetterthantheleadershipmanytimesbutthat’snotthewaypowerflows.Heisuncomfortablewiththecompromisestohisidealism.HeremainscommittedtosocialjusticeandjoinshisfriendsfortheMayDayrallywherehiscomfortandconfidenceinhisplaceinsocietycausehimtodefertonoman,certainlynoratfacedmeninovercoatswithredarmbands.Hisgreatpleasureinlifemoreoverislayingbrick.Hefindstheworksatisfyingandfulfillingwhichiswhyhewassuchanobviouslysuperiorworkerinthefirstplace.
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June,1941.AsmallRussianvillageattheborderislivingitseverydaylife-peoplework,love,squabble,makeplansforthefuture.Thewarchangesallplans,tearsfamiliesapart,thefirstvictimsfall...SomeRussianstragglingsoldierswhomanagedtostayaliveafterthefirstonslaughtoftheGermanarmymaketheirownwar,someofthelocalsjoiningthemtoavengethe...
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保罗·施拉德
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该片又名《亚当复活》，根据1969年以色列著名畅销小说家尤拉里·卡纽克(YoramKaniuk)的作品改编，讲述了德裔以色列小丑演员亚当·斯坦的故事，他被迫在纳粹集中营内为在押犯们表演取乐，最后得以逃过生死劫只是因为能够为进入毒气室的囚犯们拉拉小提琴曲。杰夫·古德布鲁姆(JeffGoldblum)在片中饰演亚当，威廉·达福则出演集中营指挥官，此人将亚当象条狗一样尽尽羞辱之能事。幕后制作这是德国和以色列电影届的首次合作，出演亚当的杰夫·高布伦表示：“这是他所扮演的最难的一个角色。”该片导演保罗·施拉德曾以担任《出租车司机》的编剧而名声大噪，制片商则是以色列的埃胡德·布雷伯格(EhudBleiberg)公司和德国的维尔纳·维尔辛(WernerWirsing)公司，这部主题悲惨的影片堪与罗伯托·贝尼尼的奥斯卡获奖电影——黑色喜剧片《美丽人生》相...
