Aniorte
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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RuthPaxton’swomen-ledhorrorseesamothertestedwhenherdaughterinsiststhatherbodyisnolongerherown,butinservicetoahigherpower.
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亚瑟（特伦斯·斯坦普TerenceStamp饰）的妻子玛丽昂（瓦妮莎·雷德格瑞夫VanessaRedgrave饰）虽然身患绝症，却一直坚持参加小镇上的老年合唱团。这个由年轻音乐教师伊丽莎白（杰玛·阿特登GemmaArterton饰）在工作之余组织起来的合唱团不仅是镇上老年人们消磨时光的好去处，更为他们结交新朋友提供了机会。可是固执的亚瑟并不支持也不理解玛丽昂唱歌，他只希望爱妻可以安心在家养病。但亚瑟终归执拗不过玛丽昂，即使在生命最后的时光里，玛丽昂也如愿参加了合唱比赛。小镇的老年合唱团通过了比赛的初赛，玛丽昂在赛后安详去世。虽然伊丽莎白和其他老人都想帮助亚瑟走出悲伤，但倔强的亚瑟不仅将他们拒之千里之外，甚至对亲生儿子詹姆斯（克里斯托弗·埃克莱斯顿ChristopherEccleston饰）都恶言相加。亚瑟本打算将自己永久关闭在...
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托尼·米歇尔
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狂虐的飓风向苏格兰内陆步步紧逼。泰晤士水闸首席设计师罗伯（罗伯特·卡莱尔 Robert Carlyle 饰）和前妻——水闸工程总监萨米（杰萨琳·吉尔西格 Jessalyn Gilsig 饰）被叫回到水闸做安全检查，而罗伯心怀芥蒂疏远的父亲莱纳德教授（汤姆·康特奈 Tom Courtenay 饰）根据自己丰富经验测算并料定一旦洪水袭来，泰晤士河水闸必将被击溃。他及时将此情况报告给了危机控制中心的纳什女士。然而他的警告并未到重视，危机控制中心的专家不能准确地判断情况，不置可否的副首相竟向人们承诺洪水不会抵达伦敦市区。 洪峰3小时后到达了伦敦，滔天骇浪跃过水闸，数亿吨的洪水急速奔涌进中央伦敦，顷刻间一片汪洋。数百万伦敦人危在旦夕。罗伯特，萨米和莱纳德只有几小时来挽救这座城市……
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Aselfishfilmmakerfailsatcreatingthecuttingedgefreedomofspeechdocumentaryhehadenvisionedandinadvertentlyunleashesholyhellfroma500poundcomedianonthevergeofanervousbreakdown.Abigfatdo搜索引擎优化fnightmarefuelforthepoliticallycorrect!
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讲述出身贫寒的女佣EmmaHarte，如何自强不息、勤奋工作、善于学习、抓住各种可能的机会，实现自己人生梦想的历程。该剧改编自芭芭拉·泰勒·布拉德福德的同名小说。
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大卫·柯南伯格
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暴力对生涯的秩序,对种种差别处境的人,如安在亦正亦邪的界线彷徨！汤姆（维果·莫特森 Viggo Mortensen饰）是小镇上再平常不外的一家之主,开着一间小店营生。某日赶上前来掳掠的暴徒,为了保住店员的性命,汤姆奋而干掉落了这帮不请自来,他的勇敢神武成为了人们津津有味的话题。媒体对此事的报道,也把汤姆一家光秃秃地放置在公家视线里。这件事究竟是转变了本来的汤姆,仍是让汤姆回到本来的本人,这个谁也说不清——由于,汤姆的过往随之而垂垂浮出水面。黑道老迈带着部下找上门来,这象征着汤姆将不克不及再隐蔽本人已经跟暴力密切触摸过的身份。老婆艾迪（玛丽亚·贝罗 Maria Bello饰）得悉老公的机密,异常朝气；更蹩脚的是,汤姆看到暴力的阴郁正垂垂覆盖上本人的儿子；暴力又一次彻底地潜入本来惊天动地的生涯。©豆瓣
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Hardened DEA agent, Cole, descends into the dangerous underworld of Tijuana, Mexico in search of his journalist ex-wife who he believes has been abducted by a charismatic Cartel boss with aspirations for public office.
