Aedan
搜索"Aedan" ，找到 以下影视作品
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乔丹·皮尔
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“What’sabadmiracle?”OscarwinnerJordanPeeledisruptedandredefinedmodernhorrorwithGetOutandthenUs.Now,hereimaginesthesummermoviewithanewpopnightmare:theexpansivehorrorepic,Nope.ThefilmreunitesPeelewithOscarwinnerDanielKaluuya(GetOut,JudasandtheBlackMessiah),whoisjoinedbyKekePalmer(Hustlers,Alice)andOscar®nomineeStevenYeun(Minari,Okja)asresidentsinalonelygulchofinlandCaliforniawhobearwitnesstoanuncannyandchillingdiscovery.Nope,whichco-starsMichaelWincott(Hitchcock,Westworld)andBrandonPerea(TheOA,AmericanInsurrection),iswrittenanddirectedbyJordanPeeleandisproducedbyIanCooper(Us,Candyman)andJordanPeeleforMonkeypawProductions.ThefilmwillbereleasedbyUniversalPicturesworldwide.
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InasolitarytownnestledintheMexicanmountains,thegirlswearboyishhaircutsandhavehidingplacesunderground.Anaandhertwobestfriendstakeoverthehousesofthosewhohavefledanddressupaswomenwhennooneiswatching.Intheirownimpenetrableuniverse,magicandjoyabound;meanwhile,theirmotherstrainthemtofleefromthosewhoturnthemintoslavesorghosts.Butoneday,oneofthegirlsdoesn’tmakeittoherhideoutintime.LiberallyadaptedfromJenniferClement’seponymous2014novel.
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多米尼克·布伦特
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Filmingavampireflickinanold,abandonedmanorhouseshouldhaveworkedlikeadream,butthefilmcrewisoutoftheirdepth,overscheduleanddesperatetogettheshootfinishedandgohome.However,asthemoonturnsfull,thenightmarebegins.Bloodflowsandthebodycountrisesascastandcrewmeetthemanor’sresidentwerewolf…”
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Donatas
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Simukauskas
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Gabija
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Bargailaite
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Povilas
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Jatkevicius
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Sarunas
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Rapolas
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Meliesius
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NobloodyslashershaveeverbeforebeenmadeinLithuania.TakashiMiike’sdie-hardestfanJonasTrukanasaccomplishedhisdreamandindependentlycreatedaninventivelyrippinghorrorthrillerwithaminimalbudget.Bewitchingfromthefirstminutes,thedynamicchasebuildsascaryatmosphereofdanger,fearandhorror,whilealsoclingingtoluckandchance.“Bethehunters...
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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Thestorystartsin2006inthecityofAmsterdam.FerryBoumanworksfordruglordRalphBrink,apowerfulcriminalandFerrysmentor.OnedaythegangisbrutallymuggedandRalphssonisseverelyinjured.WhenallleadspointtoagroupofcampersinBrabant,Ferryissentouttofindtheperpetrators.Afteryearsofabsence,FerryreturnstohisbelovedBrabant,whichhehadfledmanyyearsbefore.Thedifficultreunionwithhisestrangedfamily,thereturntothecamperlifehehadforsakenandthemeetingwithhischarmingneighborDanielleallgraduallycrawlunderFerrysskin.HisjourneywillleadtounexpectedoutcomesandputFerrysloyaltytothetest
