Eligio
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泰伦斯·费希
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A murderous religious cult is way-laying travellers and stealing goods in nineteenth century India. As the disappearances mount and trade becomes difficult, the British East India Company is forced to act. But they give the job to an upper-class officer completely out-of-touch with the country rather than the obvious candidate who has been in India for years and well understands the people and culture.
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Aclosetedgaywoman,Mercy(EmilyLape),meetsanattractive,sexualandlovingcollegestudentnamedJesse(AlisonHixon)thatchallengeshertoexploreherownbeliefsonsexualityandreligion.
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Adam, a cocky MMA fighter, wins a fight using dirty tactics and then when challenged outside the Cage, unintentionally injures his opponent, Johan, in a street fight. As a result, Johan is paralysed. Guilt ridden and worried, Adam tries to find out whether Johan knows that he is the culprit, but then inadvertently gets drawn into Johan's life when he finds out that his actions have caused Lea and Reza, Johan's siblings, to lose their breadwinner and hopes for a better life. In order to redeem himself, Adam tries to change his old ways and gradually helps pay for the medical bills of not only Johan but Reza who has heart condition. Eventually, Johan forgives Adam. The men form an unlikely bond and through his friendship with Johan and Reza, Adam slowly starts to go back to his religion and through Johan, tries to learn the scriptures. However, things take a turn for the worse when Lea finds out that Adam is the very reason that Johan is paralysed. She cannot forgive Adam and tells him
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拉夫·迪亚兹
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A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.
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DidierKonings’simmeringmediaevalhorrorWitteWievenexplorestheconfluenceofreligionandpatriarchyinanexcessivelypuritanicalDutchvillage.Blamedbyhercommunityforbeingchildless,Friedaimmersesherselfinprayerandritual.Whenshereturnsunscathedfromtheforbiddenforestsurroundingthevillage,havingevadedalecherousbutcher,sheiscondemnedasanagentofthedevil.Frieda,however,findsnewfaithinthedarkpowersthatinhabitthewoods.Shotinareducedcolourpaletteattheedgeofvisibility,Konings’grippingfilmconstructsaconvincingpre-modernsocietywhosepracticesitelucidateswithpatienceandattention.AlthoughsetintheMiddleAges,WitteWievendisplaysanunmistakablycontemporaryspirit,craftingafeministparableaboutwomendiscoveringnewwaysofunderstandingtheirlivesandtheworld.
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Theteenagedaughter(HollyTaylor)ofareligiousfanatic(BruceDavison)attemptstoescapeherfather'sdelusionalsuicidepactafterthreemoxia.ccstrangersbreakdownnearherfamily'sremoteruralcompound.
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In2013,anAustralianmanafewmonthsshyofturning60decidedtowalktheCaminodeSantiago–an800kmpilgrimagetrailacrossthetopofSpain.Hehadnoknownreligion,andabsolutelynoideawhyhefeltsodeeplycompelledtodothistorturouswalk.Butcompelled,hewas.Hecompletedthewalk,battlinga“triumvirateofpain”-akneethathelaterdiscoveredlackedanymeaningfulcartilage,ablisterthesightofwhichwouldmakeagrownmanweep,andshin-sorenessthatfeltlikehislowerlimbhadbeensplitwithamountainaxewieldedbyadementedtroll.ArrivingattheendoftheCamino,themajesticcathedralinSantiagodeCompostela,heexpectedanepiphany–ananswertothequestionhe’dbeenaskinghimselfeveryday:WhyamIdoingthis?Butnoanswercame.Sowhenhegothomehewroteabook,hopingtheanswerwouldrevealitselfinhisscribblings.TheresultwasTheWay,MyWay,ahumourousandself-deprecatingbookthatmanyconsiderthebestmemoireverwrittenonwalkingtheCamino.Thebookhasnowbeenmadeintoafilm,andit’sanextraordinaryaccountofamanatapivotalpointinhislife,searchingformeaningandfindinghimselfundergoingafundamentaltransformationsoprofoundthathenowdivideshislifeinto“BeforetheCamino”and“AftertheCamino.”It’sastoryparticulartooneman,yetofappealtoanyoneseekingagreatermeaningfromlife.
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Ayoungcoupleofdifferentreligiousfaithsandverymuchinlove,meetatragicaccidentthatputsbothoftheminacomaandsetstheirspiritsoffonaquesttofigureouthowtobetogetherintheafterlifewhereinterfaithcouplesarenotallowedtoenterthesameafterworld.
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Kelly Greyson
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Natalie Racoosin
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Jenn Gotzon
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Clay Walker
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Ozzie Torres
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Tony Nudo
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罗伯特·皮尔斯
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Joanie Stewart
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Joseph Gray
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ALONE YET NOT ALONE is based on an inspiring true story taken from a novel of the same name written by Tracy Leininger Craven and depicts a family at a critical juncture in America's history. Fleeing religious persecution in Germany, the Leininger family seeks a new start in uncharted country - America. It is the mid-1700s and British and French forces are struggling for control over the abundant resources of this new territory. Despite the escalating tension mounting around them, the Leiningers give thanks and praise for the sparkling streams and majestic forests around Penns Creek and above all, their freedom to worship. Carving out a homestead can be arduous work, but the Leiningers labor joyfully. After all, what the land will not yield, the cherished family Bible would, providing the everlasting nourishment of God's promise. Then the unthinkable: In a terrifying raid, Delaware warriors kidnap the two young Leininger daughters and attempt to indoctrinate them into native culture. Through their ordeal they never lose hope and "their faith becomes their freedom".
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RADIOGRAMissetin1971Bulgaria,undertheCommunistregime:whenanywesterninfluence,especiallymusic,isanationalthreat.AtimewhenradiostationslikeBBC,DeutscheWelleandRadioFreeEuropearemuffledandprohibitedandwhenallreligiousorganisationsarerestrainedandanysuchexpressionisbanned.Basedonatruestory,itfollowsafather,whowalksforalmost100kmtotownsohecanbuyanewradioforhisrock’nrollobsessedson.Thefilmisaboutmusic,freedomandidentity
