Eisert
搜索"Eisert" ，找到 以下影视作品
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拉斯蒂·乔纳尔
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California, Mojave Desert, 1998. A strange glow appears in the sky. Sam, a forty-something door-to-door salesman, travels through the few inhabited zones of the Californian desert in search of clients, yet everything seems deserted. What's more, his wife won't answer his calls. It's as if everyone were avoiding him. When his car breaks down, Sam becomes a prisoner of the empty,...
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Petty Officer Michael Davis (Jeremy Davis) is the newbie to SEAL Team VI, but after his first mission the young soldier is weathered beyond hid years. His first assignment as for the elite black ops squad is as Communications Officer for the micro ground assault team that enabled surgical aerial assaults of strategic targets in Iraq, priming allied forces for the what is now known as Operation Desert Storm. The honor of being part of the special forces unit is enriched by the fact that he is invited into the unit lead by the best, Master Chief Devon Mackefy (Ken Gamble). The team, having just returned from one mission, is called into duty once again, because “Mac is the best”. Feeling the pull of the call, and given no option by the powers that be, our heroes go into the thick of it with the usual disadvantages - tired, short by one man and in need of gearing up in the weapons department; all with their invisibility being paramount. The team is rounded out by Petty Officer Williams (Kristoffer Garrison), Petty Officer Sanchez (Neta De Paula) and Chief Petty Officer Roberts (Zach McGowan). The team’s only contact ii Iraqi is Jamal (Amol Shah), a Kurd who has lost his family to the war and now helps the U.S. in these isolated covert operations. Their sole mission mark aerial targets, avoid capture and stay alive for four days. But the enemy is in every direction. Tensions are high since Davis is untested in the field and Mac is distracted by a recent personal loss. All these complications threaten the success of the mission, as well as the team’s survival.
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一副二手耳机，将一对死对头与亡者的世界连接在了一起。当他们共同的女团/男团偶像好友在离奇的变故中猝然离世，一场被迫“假装情侣”的针锋相对，演变成了再也无法否认的宿命羁绊……他们不得不联手追查凶手，却不知自己早已沦为杀手的下一个目标。真相挖掘得越深，他们离死亡——以及彼此——就越近……直到他们分不清，究竟是“亡者的呐喊”更加震耳欲聋，还是“彼此狂乱的心跳”更为清晰。Asecond-handpairofearphonesconnectstworivalstotheworldofthedead.Whentheiridolfrienddiesundermysteriouscircumstances,whatstartsasenemiesforcedto"fakedate,"turnsintoanundeniablebond…astheybecomereluctantpartnersinamurderinvestigation,beforethekillersilencesthemasthenextvictims.Thedeepertheydig,theclosertheygettodeath—andtoeachother…untiltheycannolongertellwhichislouder:the"voiceofthedead,"orthe"soundoftheirracinghearts."
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Anoverworkeddad,missingoutonhiskidsgrowing,takesanopportunitytostarta"familybusiness"thinkingitwilldrawhisfamilyclosertogether-Thatisjustmistakenumberone.
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史蒂文·维德勒
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Anisolatedguywithcerebralpalsyisrailroadedintohelpinganunassertivecomedienne,andfindslovemolikan.comandacceptancethroughstandupcomedy.
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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比利·波特
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Anunassertiveseventeenyearoldturnshishighschoolonitsheadwhenheasksouthiscrush,atransgenderclassmate.
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纳许·埃哲顿
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Inseasonthree,Ray’sworldhascontracted.FamilylifelooksalittledifferentashequietlymournsthelossofBruce,whilefiguringouthowtocareforhisagingfather,Bill(KennyGraham).AsBrittany(ChikaYasumura)growsintoayoungwoman,shedrawsfurtherawayfromRayandcomesclosertodiscoveringthetruthaboutwhohereallyis.ThingsseemgoodwithGary(JustinRosniak)andDave(MattNable),howeversinceseveringtieswithformerbossandconfidantFreddy(DamonHerriman),Rayisworkingfreelanceandfeelingasenseofisolation.Withbusinessbooming,anewconnectionwithcriminalkingpinRafael(JeremySims)intensifiesRay’sstruggleandwhensparksflywithnewcolleagueZoe(EmilyBarclay),anunexpectedtragedymakesRayquestionbothhiscareertrajectoryandhisethics.
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Alex,filsd’uncaïdpied-noirmarseillais,s’estengagédanslaLégionpouréchapperàunrèglementdecompteaveclamafiaCorse…4ansplustard,AlexdéserteetrevientsurMarseillepourretrouverKatia,sonamourdejeunesse.Maisenvillelesrapportsdeforceontchangé:sonpères’estretirédesaffaires,laissantlesCorsesetlesgangsdesQuartiersNordsepartagerlecontrôledelaville.Ladéterminationd’Alexvabouleversercetéquilibrefragileaurisquedemettresafamilleendanger...
