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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

Joe Beck has lost the love of his life thanks to a Pixie's Curse and he now needs to figure out how to get his girl back, learn more about the mysterious Pixies and undo a bad deed he did long ago.

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Maggie?Rainbow?LeewardandMarycannotevenagreeontheirthreeyearolddaughtersnameanymore.Maryisahardworkingnursewhodreamsofonlyonething:changingherlife.Sheresentsherhusbandforbeinganirresponsible,overgrownadolescent,incapableofholdingdownajob.Leewardisanatypical,idealisticmusicianwhofancieshimselfamisunderstoodartistandaNe...

Ti是一名大学生，曾做过兼职家教。有一天，他的一个学生和高中混混惹上了麻烦。蒂瓦去保护他的学生，并与该团伙的头目诺伊对峙。那一天之后，Ti和诺伊偶遇了那么多次，他开始了解到，虽然诺伊长得很坏，但这个男孩傻得离谱。没有，我只是自己想起来，我是追着他跑。Ti极力解释自己对他一点兴趣都没有，但命运却玩了些有趣的把戏。Ti被联系去给一个新来的学生当家教。那个学生是诺伊。他们对彼此了解得更多。诺伊开始改变自己，在Ti身上有所行动。~~改编自koreanrabbit的小说《พี่จะตีนะเนย》。Ti,acollegestudent,hadapart-timejobasatutor.Oneday,oneofhisstudentsgotintotroublewithhigh-schoolgangsters.Tiwawenttoprotecthisstudentandconfrontedtheleaderofthegang,Noei.Afterthatday,TiranintoNoeisomanytimes,hestartedtolearnthatalthoughNoeihadabadasslook,theboywasridiculouslysilly.NoeijustcameupbyhimselfthatTiwasrunningafterhim.Tiwassodonetryingtoexplainthathehadzerointerestinhim,butfateplayedfunnytricks.Tiwascontactedtobeatutorforanewstudent.ThatstudentwasNoei.Theylearnedmoreabouteachother.NoeistartedtochangehimselfandmadeamoveonTi.~~Adaptedfromthenovelพี่จะตีนะเนยbyKoreanRabbit.

A Boston police officer goes to Nantucket to investigate the murder of his partner, but he finds more than he bargained for.

「豪斯大夫 House」主创David Shore联同Daniel Dae Kim开辟ABC医务剧「好大夫 The Good Doctor」,依据韩剧所改篇的「好大夫」由David Shore编剧,报告一个年青﹑有学者症候群（在某种艺术或学术上有超乎凡人的才能, 有10%自闭症患者有这种症候群）的外科大夫Shaun Murphy参加了一间有名病院San Jose St. Bonaventure,这令全部人都起了这疑难：一个没法跟凡人树破关联的大夫,真的能医治患者！在「贝兹旅店 Bates Motel」扮演有名精力病杀人魔Norman Bates的Freddie Highmore加盟扮演患有自闭症的配角Shaun Murphy,他固然不善于交际,不外有着具魅力的老实及坦白；学者症候群患者的他挨过了费事的童年,并成为了一个蠢才大夫......

MorenaBaccarinandRyanMichelleBathéstarintheultimatehigh-stakesshowdownbetweencriminalmastermindElenaFederovaandFBIAgentValTurner.WhentheyplayElena’sgame,deadlytruthsarerevealed...andeveryonebowstothequeen.

导演FranckRichard第一次触电长片便是这部《LaMeute》。该片集科幻与恐怖、神怪与惊悚于一体。被影片联合导演FranckRibière称为“神怪西部片”。FranckRichard在《LaMeute》中糅合了各种类型和风格:“从童年时代起，我就非常喜爱类型片。这个名字今天被误读了，在以前它并不单纯指恐怖片，而是包罗万象，既包括动作片，也包括神怪片、侦探片和探险片。”在一个边陲小镇，Charlotte接受了Max的搭车要求。他们在一家路边餐厅用餐。餐厅老板是神秘的Spack。Max去洗手间后始终未见身影。担心不已的Charlotte试图找回Max，但遭Spack劫持，并即将成为他们像宠物一样供养的吃人娃娃的大餐。影片主要演员有坎城影后EmilieDequenne，恺撒影后YolandeMoreau和BenjaminBiolay。

FilmmakerandgayactivistSridharRangayanembarksonapersonaljourneytoexposethehumanrightsviolationsfacedbytheLGBTQcommunityinIndiaduetoadraconianlawSection377andhomophobicsocialmoresofapatriarchalsociety.ThegrittydocumentaryBREAKINGFREEfeaturessearingtestimoniesofgayandtransgenderpersonswhohavebeenvictimizedorexploited,aswellaswide-ranginginterviewswithadvocatesandactivists.See-sawingbetweendespairandjoy,anguishandhope,thefilmoffersaninsiderviewoftheIndianLGBTQcommunityandisadocumentationofitsmovementfrominvisibilitytoempowerment.