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Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
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雷·费隆
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伊芙·麦凯林
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恩瓦·刘易斯
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斯嘉丽·雷纳
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萨姆·布坎南
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艾莎·班克斯
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马修·布鲁姆
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柯里姆·哈桑
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奥兰多·诺曼
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乔尔·南克维斯
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Seosaimhin·Hennelly
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妮科尔·安萨里-考克斯
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路易莎·宾德
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塞科·迪亚比
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Ben·Mangham
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Aforbiddenlovestorybetween18-year-oldNoahandstepbrotherNickfaceschallengesastheypursuedifferentpaths-himinbusiness,heratOxford-whiledealingwithnewrelationshipsandsecrets.
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Oneweekonacruiseship,withparties,funandnewfriendships.Theall-gayclienteleonboardarepreoccupiedwithtopicssuchasidentity,thebodybeautifulandthesearchforsex.Everyeveningisdedicatedtoanewtheme,challengingthepassengerstoevermoreextravagant,body-huggingoutfits.Inthecabinshowever,thetalkismorethanskindeepasthemenopenupabouttheirprivatelives.Marek,ayoungPolishmanjustwantstobeacceptedandlovedasahumanbeingandnotjustbecauseofhistautbody.DipankarfromIndiahasjustrecentlycomeout;heandPalestinianRamziarerevellinginthekindoffreedomtheycanonlydreamaboutintheirhomophobicsocietiesbackhome.MartinisHIVpositiveandpondershedonisticways,whilePhilippefromFranceobservestheproceedingsonboardserenelyfromhiswheelchair.InhisfeaturefilmdebutdirectorFerlandMilewskisucceedsinprovidingalookbehindthescenesofanostensiblysuperficialworld.Hishumorousapproachhelpshimcreateagenuinebondwiththeprotagonistswhotalkopenlyaboutgaydesires,freeloveandgoodold-fashionedmonogamy.
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伍迪·艾伦
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在一个演员家庭中，大姐汉娜（米亚·法罗MiaFarrow饰）的丈夫——经济人埃利奥特（迈克尔·凯恩MichaelCaine饰）正为小姨子莉（芭芭拉·赫希BarbaraHershey饰）神魂颠倒。二姐霍莉（黛安娜·维斯特DianneWiest饰）戒掉了毒品，如今为经济拮据苦恼正考虑赚钱的生意，而汉娜的前夫——电视台编导米基（伍迪·艾伦WoodyAllen饰）终日幻觉自己的了脑肿瘤，四处求医痛苦不堪。小妹莉与孤僻的画家情人弗雷德里克（马克斯·冯·西多MaxvonSydow饰）相处，是后者唯一的倾诉对象。埃利奥特难耐情欲，终于与莉发生了关系，霍莉在一连串打击后意外的获得了事业和爱情的拯救……围绕在这个演员家庭周围的所有人，经历着情感和事业的重新洗牌。
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当英格兰最大的城堡被如雷贯耳的犯法老板（乔恩·坎普林饰,曾在「哈利·波特」中表演食逝世徒）掳掠时,他跟他的犯法团伙却没想到要面临骑着越野自行车的两个男孩。 当男孩的母亲（安吉拉·迪克森（Angela Dixon）,“永不撒手”（Never Let Go））跟竞速赛车手的父亲分开儿子回到旧金山游览时,他们的“老派”父亲不爱幸亏手机上渡过的时光,反而使他们想起了激昂或事实生涯冒险。 运气的转机招致男孩发明白钻石偷盗案,但在此进程中,他们的父亲因犯法而被捕,激发了一场与时光竞走的比赛。
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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奥勒·博内代尔
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在一个平常的日子里,中年女子克莱德（杰弗里·迪恩·摩根 Jeffrey Dean Morgan 饰）早年妻斯蒂芬妮（凯拉·塞吉维克 Kyra Sedgwick 饰）处接来两个女儿汉娜（麦蒂森·达文波特 Madison Davenport 饰）跟艾米莉（娜塔莎·凯利斯 N atasha Calis 饰）跟本人共度沐日时间。当他们驱车漫游社区时,恰好望见街坊正在甩卖本人的物品。艾米莉看中了一个老旧但奇特殊致的木匣子,此时她尚不晓得,这是一个隐蔽着恐惧机密并且相对不答应翻开的盒子。盒子一旦开启,恶运跬步不离,艾米莉跟家人的恶梦就此开端…… 本片依据「洛杉矶时报」记者莱斯利·戈尔斯坦（Leslie Gornstein）依据实在变乱创作的「盒子里的恶灵」（Jinx in a Box）改编。
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托斯卡·马斯克
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ColtonDonavanlivesonthatrazor-thinedgetowardoutofcontrol.Whetherit'sonthetrackoroffofit,everythinghewantsisathisfingertips:success,willingwomen,mediaattention.Everythingthatis,butRylee.She'stheexceptionthisrecklessbadboycan'tseemtowinover.Herheartishealing.Hissoulisdamaged.Theybothknowthetwoofthemcouldneverwork....
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Netflix的拉丁裔多镜头喜剧《阿什丽·加西亚的扩阔宇宙TheExpandingUniverseofAshleyGarcia》由MarioLopez及SethKurland所创作，剧中讲述15岁半的AshleyGarcia（PaulinaChavez饰）是个机器人工程师兼火箭科学家，她现在得到机会在大空总署中工作，于是Ashley搬家来到与喜爱玩乐的叔叔Victor（JencarlosCanela饰）同住；Victor是个前职业美式足球员，现在则是高中教练，过去从来没有应付过甚么大责任。
