Afanasev
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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Williamwhohasasimplejob,hemakesdeadbodiesdisappear.Thisisntsomethinghelikestoorevenwantstodo,butthroughcircumstancesoutofhiscontrol,hislittlefarmhouseinthecountryhasbecomeadumpinggroundforthecasualtiesofthegangrelatedmurdersinthenearbycity.HisdaughterGloriahasbecomeusedtoroughlookingmendroppingoffcorpsesandisevenconvincedthatsomeofthemarehauntingtheirhouse.Afterawomansbody,isdumpedatthehouse,Williambeginshismeticulousprocesswhenherealizes,shesnotactuallydead.Asthegangactivityincreases,Williampatchesthewomanupandholdsheragainstherwilluntilhecanfigureoutwhattodowithher.Astheybegintodevelopaveryunusualrespectforeachother,thewomansmurderersgetwordthatshesstillaliveandmakeplantogofinishwhattheystarted.
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提迪蓬·德查阿派坤
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永瓦蕾·安尼柏尔
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张翊昕 Harit Cheewagaroon
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安比查娅·萨琼
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普西特·迪塔皮西
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普洛伊湘普·素帕莎
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普明·丹萨优
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托萨提德·达尔坤托德
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查楠帕·卡莫吉丽拉
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钟阿晨
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缇欧·提英纳潘·坦维
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Mark Pakin Kunaanuwit
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葩薇妲·某日吉
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提娜丽·维拉瓦诺丹
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查莱达·吉尔伯特
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Best Jira Jaroenthamasuk
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当纯情小处男穿越时空，成为一名妇科专家会怎样呢？亚历克斯是一个17岁的害羞的孩子，他仍然是他的一群朋友中唯一的处男。他多次试图失去童贞，但都皆大欢喜地失败了。有一天他醒来发现自己在另一个环境中，他不再是处男，而是性关系专家和妇科医生。然而，他的老朋友不知道为什么讨厌他，并且和一群新的人走得很近。此外，一组神秘的图像出现了，这可能会给这个转变发生了什么线索。Alex能解决和老朋友的争吵，解开照片之谜吗？Alexisaseventeenyearoldshykidwhoremainstheonlyvirginamonghisgroupoffriends.Hismultipleattemptstoloosehisvirginityfailshilariously.Onedayhewakesuptofindhimselfinanotherenvironmentwhereheisnolongeravirgin,butanexpertonsexualrelationshipsandagynecologist.Howeverhisoldfriendshatehimforunknownreasonsandisclosewithanewsetofpeople.Moreoverasetofmysteriousimagesappearwhichmaygiveacluetowhathappenedforthistransformation.CanAlexsolvethequarrelswithhisoldfriendsandsolvethemysteryofthephotos?
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Ter
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Sittar
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Theerapatvej
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Golf
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Witchayapong
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Krungsrimueng
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Jam
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Banthita
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Kansoot
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Khwan
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Khwanruedee
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Wongphat
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讲述了金恩和他的两个朋友去泰国北部度假的故事。然而，金恩的电话坏了，他们的计划泡汤了，这导致他们去见诺斯。金恩请他当他们的导游，因为他在这个地方长大，什么都知道。这个旅程会从他们的内心出发吗？FollowsthestoryofKinnwithhistwofriendstravellingtoNorthernThailandforavacation.However,Kinn'sphonegotbrokenandtheirplansareruinedwhichleadsthemtomeetNorth.Kinnaskedhimtobetheirtourguidesincehewasandraiseinthisplaceandknowseverything....
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Thisseriesissetinthelonghotsummerof1959andweddingseasonisinfullswingintheCambridgeshirevillageofGrantchester.AstheReverendWillDavenportuniteshappycouplesinholymatrimony,DetectiveInspectiveGeordieKeatingisbusyaseverinvestigatingarangeoflocalmurdercases.Withanewdecadejustaroundthecorner,thequestionofwhatthefuturehold...
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第二季改编自LaurenceLeamer的畅销书籍《Capote’sWomen:ATrueStoryofLove,Betrayal,andaSwanSongforanEra》。著名作家TrumanCapote（TomHollander饰）与一小群最精英的女性交往密切，她们都是富有、魅力四射的社交名媛，定义了纽约上流社会过去的一个时代，而Capote将她们称为“天鹅”。这群美丽又出名的女性包括了贵妇人Barbara“Babe”Paley（NaomiWatts饰）、SlimKeith（DianeLane饰）、C.Z.Guest（Chlo?Sevigny饰）和LeeRadziwill（CalistaFlockhart饰）。Capote被这些女性深深吸引，他讨得她们欢心，从而融入了她们的生活，与她们结为朋友、成为知己，但最终又背叛了她们——他在自己不加掩饰的虚构作品中大肆描述她们的生活，曝光她们最私人的秘密。Capote计划中的著作《AnsweredPrayers》的节选被发表在杂志《Esquire》上，这实际上摧毁了他与“天鹅”的关系，将他逐出了他所热爱的上流社会，让他陷入了自我毁灭的漩涡，并且最终也没有从中恢复。
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Seasonfiveof“ForAllMankind”picksupintheyearssincetheGoldilocksasteroidheist.HappyValleyhasgrownintoathrivingcolonywiththousandsofresidentsandabasefornewmissionsthatwilltakeusevenfurtherintothesolarsystem.ButwiththenationsofEarthnowdemandinglawandorderontheRedPlanet,frictioncontinuestobuildbetweenthepeoplewholiveonMarsandtheirformerhome.
