Farr、Nican
搜索"Farr、Nican" ，找到 以下影视作品
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Valeria,ayoungwomanexpectingherfirstchild,becomescursedbyasinisterentity.Plungedintoaterrifyinganddangerousworld,agroupofwitchesemergeasheronlyhopeforsafetyandsalvation,butnotwithoutgraverisk.
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Everthestand-uppartyanimal,comicBertKreischerriffsonparentingandfamilylife,beingagunandpetowner,hisdaddiscoveringpot,andmore.
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ThefilmdelvesintotheunexploredthemeofthedisplacementoftheRusyn,anEastSlavicethnicgroupfromtheEasternCarpathiansinCentralEurope,duringtheconstructionoftheStarinareservoirinthe1980s.Setagainstthistumultuousbackdrop,Floodintertwinespersonalandcollectivestories,bringingtotheforefronttheoften-overlookedplightoftheRusynminorityinSlovakia.Gonda'sfilmspeakstominorities,individualswhohaveexperienceddisplacementandyoungadultsthroughitsprotagonist,Mara.Thestoryunfoldsinasmallvillage,threatenedbyanimpendingfloodduetotheconstructionofthereservoir.Mara,ayoungwomanyearningforcitylifeandaneducation,isboundtoherruralrootsbyherstrictfather,aRusynfarmer,whorefusestorelinquishhislandandlegacydespitetheloomingendoftheirworld.Floodexploresthethemesofadolescence,uprootingandthesacrificeofpersonaldesiresforthegreatergood.Thefilmseekstoelicitreflectionsonone'srootsandtheconceptofhome,aswellasthechallengesofnavigatingadisappearingcultureandheritage.TheStarinareservoir'sconstruction,whichlastedfrom1981-1988,ledtothelargestdisplacementinSlovakhistory.Gonda'spersonalconnectiontotheregion,havingspenthischildhoodsummersthere,addsalayerofauthenticityanddepthtothenarrative.ThefilmnotonlyrecountsthephysicaldestructionofthesevenRusynvillages,butalsocapturestheemotionalandculturalimpactofthiseventonthecommunity.Thedirectoraimstopresentadeeplyresearched,emotiveandintimatestoryaswellasdivingintothecomplexdynamicsbetweenpersonalidentity,communitytiesandtheinexorablemarchofprogress.Themovieispoisedtoengageandchallengeaudiences,fosteringadeeperunderstandingoftheoften-painfulinterplaybetweentraditionandmodernity.
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It's the close of World War II. Unwilling to surrender| rogue German forces shoot down a returning British squadron leaving Sydney Baker wounded and lost with the enemy closing in. He's saved by American soldier and the duo must face their fears both internal and external| to defeat the enemy and make it back to friendly territory alive.
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埃洛瑞·埃卡伊姆
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美国亚利桑那州矿业小镇繁华镇,一辆输送化学质料的卡车产惹事变,将有毒废物倾倒进外地河道。镇上养蛛人的上千蜘蛛被传染,变得体积宏大,成批进入放弃的矿井栖身滋生。小镇警长珊姆•帕克（卡瑞•伍尔Kari Wührer饰）的儿子迈克（史考特•泰拉 Scott Terra 饰）发明白伟大的蜘蛛腿,疑惑养蛛人遇害,但母亲珊姆却不听儿子说明。镇上矿主的儿子克里斯•麦克康莫克（大卫•阿奎特David Arquette饰）在镇议会上返来,支持镇长销售矿井的提议。克里斯对珊姆余情未了,却没勇气向才子标明心迹。迈克将巨型蛛腿展现给克里斯看,后者仍然半信半疑。与此同时,矿井里的伟大蜘蛛开端袭击镇上植物,而后是人类。通信体系也被“八脚怪”损坏,全镇人的性命千钧一发……
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ITV’ssixpartfactualdrama,WhiteHouseFarm,producedbyNewPicturesrevolvesaroundonefatefulnightinAugust1985whenfivemembersofthesamefamilyweremurderedatanEssexfarmhouse;SheilaCaffell,hertwinsix-year-oldsons,DanielandNicholas,andherparents,NevillandJuneBamber.TheserieswillseektoprovidefreshinsightintothisfamilytragedyandthecontestedaccountsoftheeventsthattookplaceatWhiteHouseFarm.Basedonextensiveresearch,interviewsandpublishedaccountsincluding,‘TheMurdersatWhiteHouseFarm’byCarolAnnLeewithadditionalmaterialfrom‘InSearchofTheRainbow’sEnd’byColinCaffell,husbandofSheilaandfathertoDanielandNicholasCaffell.EssexPoliceinitiallybelievedthatSheila,whohadmentalhealthproblems,hadmurderedherownfamilybeforeturningthegunonherself.ButDetectiveSergeantStanJoneshaddoubtsaboutthemurder-suicidetheory,andaboutSheila’sbrotherJeremyBamber,whofirstcalledthepolicetothefarm.EventuallyitwasJeremyBamberwhowaschargedandconvictedofthemurdersofhisownparents,sisterandnephews.Bamberiscurrentlyservinglifeimprisonmentwithoutthepossibilityofparole.HeisoneofthefewprisonersintheUKsubjecttoawhole-lifeorder.Bamberstillmaintainshisinnocence.
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WilliamBaldwin﹑KathleenRobertson﹑AmaliaWilliamson﹑SpencerMacPherson及TaylorThorne加盟CBC与Netflix所合拍的加国剧《北方搜救队NorthernRescue》，这部由MarkBacci﹑DavidCormican及DwayneHill主创的剧集讲述JohnWest（WilliamBaldwin饰）在妻子过身后，带同三个孩子从大城市搬到家乡，并且接手了当地搜索救援队的指挥官位子。孩子们的阿姨Charlotte（KathleenRobertson饰）协助治疗主角们的伤痛，不过其实她也对姐姐的死感到很失落，而且看着主角一家亦令Charlotte想建立自己的家庭。剧中John将在公在私上遇到各种挑战，期间亦认识到北方社区中形形色色的人。AmaliaWilliamson饰演16岁女儿MaddieWest﹑SpencerMacPherson饰演14岁儿子ScoutWest﹑TaylorThorne饰演10岁女儿TaylorWest。其实角色有MichelleNolden饰演的SarahWest，John的妻子﹑MichaelXavier饰演的搜救队志愿工PaulSimmon﹑PeterMacNeill饰演的退休﹑前搜救队指挥官Harry。
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Clara and Alejandro are moving to a new home, but soon he goes on a work trip and she stays alone, surrounded by closed boxes. This mess compels her to live new experiences that will lead her to question the closed and hermetic world where she lives.
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¿How far does a soccer fan go for his beloved national team? Mariano Cárdenas (Adrian Uribe), a married man and a civil servant, shows us that crossing the line when supporting the national team is a must. Mexico and the USA are in the final qualifying match for the 2018 - World Cup. Mariano is committed to giving everything he has, including his time and relationship with his wife, to be present in the game because he is convinced that his presence in the stadium is the only thing factor that will guarantee the victory. Everything is ready and organized for the big day. Unfortunately, plans change when Mariano learns of the death of his uncle, with whom he lived and with whom he wagered a large bet on the team. Mariano is torn between being at the funeral or escaping to accompany the team. Thanks to the decision he makes, he loses his job, his wife, his home but his heart is full as Mexico qualifies for the World Cup.
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50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
