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Witnesses is a simple, yet powerful moving trilogy, depicting the horrors of the Holocaust. Each story in the film provides an unusual, yet harrowing perspective on the tragic events during World War II, told from the perspective of three uncanny witnesses. Shoes, the shortest of the stories, does not have a single line of dialogue or even a face featured in it. All we see is a pair of red shoes which beautifully depict first love, then marriage, the start of family life and the onset of the tragic war. Brutus, is a story about a German Shepherd dog separated from her beloved mistress and turned into a guard dog at a concentration camp. The final story, Violin, opens at the beginning of the 20th Century in a violin shop, where the instrument was created as a present for a Jewish boy. The violin becomes witness to the tragic events that followed during the Holocaust. A captivating score, makes this less than conventional film expose the sheer evil and terror that pervaded every aspect of the Holocaust, and is sure to open the eyes of everyone who sees it.
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A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's The Women. It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men. The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work against the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.
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格雷格·巴克
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The Emmy® and Peabody winning creators and executive producers of HOMELAND, Alex Gansa and Howard Gordon, team up with Emmy® winning director Greg Barker for this documentary feature, which unpacks the human stories and drama behind America's in册vement in Afghanistan, now the longest war in U.S. history. First-hand witnesses — ranging from U.S. intelligence operatives, to soldiers and their families, Afghan officials, journalists, top government and military officials — bring their experiences to life through emotional interviews.
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Mistakenlybelievingthathisroleistoservejustice(“NoWill,aBarrister’sjobistowin”),Willmustnavigatehiswaythroughacriminaljusticesystemseeminglydesignedtobeasopaqueandconfusingaspossible.Whilealsodealingwithhisfellowpupils,eachofthemafterthesamesinglejobattheendoftheirtrainingandmorethanhappytostabeachotherinthebacktogetit.Canhesucceedandholdontohisprinciples?Orwillthesystemclaimanothervictim?
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阿耶莱特·祖里尔
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莉希·科诺夫斯基
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加尔·托伦
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尤西·马什克
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Sigalit Fuchs
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艾丽斯·巴尔
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Shai Avivi
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Chelli Goldenberg
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Hadas Jade Sakori
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Nova Doval
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Aviva Marks
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经由过程闪回跟闪前,报告了芳华不再的片子导演Alice (Ayelet Zurer),对年青编剧Sophie (Lihi Kornowski)日益痴迷。后者暗中而令人不安的脚本,好像并不仅是虚拟故事那么简略。
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When a group of ghost hunters investigate the infamous Jericho Manor, they soon realise it's not just ghosts that go bump in the night! As people get murdered, the survivors need to discover who or what's killing them before it's too late.
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诺帕奇·贾亚纳玛
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"EVERYONEHASTHEIROWNUNIQUEVALUEJUSTASTHEYARE."Asocietyofoutcasts—peoplewhohavefallenthroughthecracksoflife,eachfromadifferentcornerofdespair.Thosewhoseemunwantedandunseencometogethertotakeonthestrangestjobsthatnooneelsewoulddo—forclientsjustasstrangeastheyare.
