Aticha

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布赖恩和查尔斯
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AfteraparticularlyharshwinterBriangoesintoadeepdepression;completelyisolatedandwithnoonetotalkto,Briandoeswhatanysanepersonwoulddowhenfacedwithsuchamelancholicsituation.Hebuildsarobot.
逃犯
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某天,心思学先生艾比·琼斯(Christine Evangelista 饰)伴随学另有传授一起前往帕克精力医院不雅摩。早在3年前,艾比罹患精力病的父亲便在这所医院自残。但是为了帮更多患者走出暗影,这个勤恳大胆的女孩仍是踏入了这幢布满惊恐的修筑。在此时期,艾比不测受到橙色高危精力病患者哈蒙(Dominic Purcell 饰)的打击,备吃惊吓。不雅摩停止之后,艾比前往居所,与莱妮(Melissa Ordway 饰)跟琳(Carly Chaikin 饰)两名挚友直接考前温习。与此同时,哈蒙打击看管职员后逃跑。警方在考察进程中发明,艾比与哈蒙被捕前杀戮的女友非常相像。恶魔出笼,新的杀戮好像行将开展……  本片依据制造人位于路易斯安那州的故乡产生的实在变乱改编。
我的亲亲老板宝贝
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Chay是一个游戏玩家,他想在电子竞技行业做大。然而,当他在一家公司实习时,他的计划发生了戏剧性的变化。在那里,他的老板Gun让他做一些非常奇怪的差事,让Chay对他的真实意图感到困惑。Gun的动作是什么意思?Chay会回到他的游戏生活吗?~~改编自Brave2Y的小说《khobwanniloekKanpimai#chokachekhukan》
家庭经济学第二季
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ConnorinvitestheHayworthclantoa49ersgameashetriestoclosehislatestbusinessdeal;Tomgetsachancetoshowcasehisfootballskills;DenisetriestogetSarahtocometotermswithShamiah’snewinterestincheerleading.
星际迷航
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故事发生在的二十三世纪,人类的科技发展已经到达了可以星际旅行的地步。2230年出生于瓦肯星的男孩史波克(扎克瑞·昆图ZacharyQuinto饰),因为母亲阿曼达·格雷森(薇诺娜·赖德WinonaRyder饰)是人类,经常遭到同僚的嘲笑和欺负。父亲萨瑞克(本·克劳斯BenCross饰)是瓦肯星的一名外交官,史波克从小就不断地在严肃的瓦肯逻辑教育和他的人类情感之间挣扎。长大后的史波克遇到了同样怀着远大志向的柯克(克里斯·派恩ChrisPine饰),两人虽矛盾不断但通过种种任务考验逐渐开始互相理解。企业号的老舰长是克里斯托弗·派克(布鲁斯·格林伍德BruceGreenwood饰),舰员则包括医疗官“老骨头”麦考伊(卡尔·厄本KarlUrban饰)、总工程师史考特(西蒙·佩吉SimonPegg饰)、通讯官乌瑚拉...
误杀瞒天记2
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ThemoviewillfeaturethefamilyofMohanlal’scharacterGeorgekuttyandsotheywillbereprisingtheirroles.Therestofthecastthoughwillchange,andwearesortingouttheotheraspectsincludingcastingrightnow.
红牝
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‘How do you feel about intimate relations? Speak freely, don’t hold back.’ · ‘I think it’s the highest connection between two souls.’ Benny’s hair is as red as the fur of her devout father’s treasured calf – which he believes will bring salvation. But the 17-year-old feels as lonely and trapped as the calf in its enclosure. Benny’s mother died giving birth to her, and she grew up alone with her caring yet patriarchal father. He is a figure of authority and a mentor for many people in their Jerusalem religious community. Benny becomes increasingly critical of her father’s religious, utopian nationalism and then there’s Yael, the self-confident young woman who has set off a whirlwind of longing and emotions in her. Avigayil Koevary powerfully portrays the defiance and desire of a young woman in Tsivia Barkai Yacov’s debut feature film.
印度夜幕
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Night Falls in India tells the story of Ricardo (Juan Diego) and Dana (Clara Voda). Ricardo decides to travel overland to India, as he used to do in the old days, when he brought hippies to the East with his van, crossing Europe, Turkey, Iran and Pakistan. But the situation is very different now. Ricardo has been in a wheelchair for the last ten years, suffering from a degenerative disease now in its final stage. He wants to die on the banks of the Ganges River and meet Gadhali again. In this journey, he is accompanied by Dana, his Rumanian housekeeper. Life owes something to these two lonely beings. The journey will become the alibi for paying it off. Night Falls in India is a shining road-movie full of life that uses journey as an excuse to tell a story about love and the passing of time, about the importance of the present and the need to recover lost time; a story in which the journey itself is as important as the arrival.
在他的一生中
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Thefilmtellsthestoryofthreepeopleforayear:ason(Magimel)diagnosedwithcancer,amother(Deneuve)sufferingfromhelplessnessandadoctor(CéciledeFrance)todoherjob:Oneyearandfourseasonsforthesethreecharacterstodealwiththedisease,totameit,andtounderstandwhatitmeanstodiewhilealive.
等待方舟
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
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