Farr、Nican
搜索"Farr、Nican" ，找到 以下影视作品
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梁智强
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本片以上世纪六十年代的本地家庭为主轴，通过成员的际遇，带出早期的甘榜生活以及后来的组屋生活，剧情横跨数十年。电影也将体现新加坡如何从一个以方言为主流语言的社会演变成华语到现今英语的过程，从中回顾流失的方言。它也会融入导演的许多亲身经历，并将安插多首怀旧歌曲。Afterthe1969nationwidefloods,ZhaoDitakesoverherfathersfamilyfarmwiththehelpofreformedgangsterAhLong.AsSingaporeseconomyprospers,theSingaporeanmindsetisalsoforcedtochangewiththetimes.Osmancatcheshisteenageson,Ahmadpracticingwithhisrockband.Asaconservativeman,OsmanbelievesrockmusicwillhaveanegativeinfluenceonAhmad.Fatherandsonargueovertheirdifferentopinions,causingAhmadtorunaway.Meanwhile,AhHeeandRanidecidetogetmarried.Buttheirtraditionalparentsdisapproveoftheirmarriage.In1977,theGovernmentbeginsexpropriatinglandforredevelopment,forcingvillagersfromtheirkampongs.Licensedfarmlandowners,suchasZhaoDi,arefinanciallycompensatedfortheirland.AhKun,ZhaoDisgreedybrotheraccusesZhaoDiandAhLongofhavinganaffairtotarnishhernameinfrontofthefamily.InthemidstofAhKunspersistentaccusations,ZhaoDishealthtakesahit.WillZhaoDibeabletokeepherhard-earnedcompensationmoney?WhatwillbecomeofherfamilyifZhaoDishealthcontinuestodeteriorate?Aspeoplechangewithtime,willthekampongspiritremain?
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Will,ayoungHispanicgaypotter,isonegregariousguy.Hisbossisterrible,buthe'sgotagreatboyfriendandagreatjob.Unfortunately,behindthatveneerisadarkpastofviolenceandmentalillnessthatheisdesperatetokeephidden.Whenhisbipolarmothercomesoutofthewoodworkaftertenyearsofsilence,hebeginsexhibitingunexplainablesymptoms.Afteraninjuryatwork,hestartslosingfunctioningofhisarms,andsomethingsinisterlurksinthecornerofhisvision:asilentandominousmaninawolfcostume.Willspiralsintoanobsession,determinedtosolvethismysteryofhisown.Whatisgoingonwithhisarms?Canhetrusthisboyfriend?Ishebecominghismother?
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马克·阿特金斯
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Prehistoricsand-dwellingsharksareunleashedontheislandofWhiteSandswhenanunderwaterearthquakecracksopenacraterdeepbeneaththeoceansurface.Themostmenacingbeatstoeverrulethewatersnowrulethesand;withtheirmonsterappetitiestheymercillesslyfeastonanythingthatcrossestheirpathMarkAtkinsdirectsthissci-ficreaturefeaturehorror.Whenanunderwaterearthquakeopensupadeepcraterontheoceanfloor,aprehistoricbreedoflethalsand-dwellingsharksisunleashedupontheunsuspectingresidentsofWhiteSandsIsland.
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吉图·乔瑟夫
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ThemoviewillfeaturethefamilyofMohanlal’scharacterGeorgekuttyandsotheywillbereprisingtheirroles.Therestofthecastthoughwillchange,andwearesortingouttheotheraspectsincludingcastingrightnow.
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赫尔伯特·怀斯
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Themini-seriesfollowsthehistoryoftheRomanEmpire,fromapproximatelythedeathofMarcellus(24/23BC)toClaudius’owndeathin54AD.AsClaudiusnarrateshislife,wewitnessAugustus’attemptstofindanheir,oftenfoiledbyhiswifeLiviawhowantshersonTiberiustobecomeemperor.WealsoseetheconspiracyofSejanus,theinfamousreignofCaligula,andClaudius’owntroubledperiodofrule.
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兰道尔·华莱士
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本片依据越南战役中的实在战役改编。1965年11月,越南战役进级至美军直接介入战役阶段。驻越美武士数一直回升。摩尔中校（梅尔吉布森 Mel Gibson 饰）授命把一群新兵练习为真正的兵士,军队中同时涌入不少随军家眷,武士们表演着老公与兵士的双重脚色,温馨的氛围中掺杂着丝丝不安。为了缓解枯燥的军旅生涯,军队举行了大型晚会。出征的时辰到了,摩尔在仪式上肃穆许诺“带回每一名流兵”。 摩尔与他的军队被空降在邻近柬埔寨的河谷地带,这里是北越军的重兵地点,人数弱势的美军堕入了重重包抄,伤亡沉重,最后在火炮!直升机的帮助下战局开端对峙。第二天,战役推动到山丘但仍旧无奈打破包抄,摩尔追求空军赞助,因为两边间隔过近,美军的汽油弹炸伤了部门空中军队。拍照记者乔（Barry Pepper 饰）记载下了战役中一幕幕残暴的画面。第三天,美军正预备直接决议性的近身战役,这时空军增援到位了,越军被全灭。
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Night Falls in India tells the story of Ricardo (Juan Diego) and Dana (Clara Voda). Ricardo decides to travel overland to India, as he used to do in the old days, when he brought hippies to the East with his van, crossing Europe, Turkey, Iran and Pakistan. But the situation is very different now. Ricardo has been in a wheelchair for the last ten years, suffering from a degenerative disease now in its final stage. He wants to die on the banks of the Ganges River and meet Gadhali again. In this journey, he is accompanied by Dana, his Rumanian housekeeper. Life owes something to these two lonely beings. The journey will become the alibi for paying it off. Night Falls in India is a shining road-movie full of life that uses journey as an excuse to tell a story about love and the passing of time, about the importance of the present and the need to recover lost time; a story in which the journey itself is as important as the arrival.
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
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巴里·莫罗
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"ALL YOU EVER WISHED FOR" is a fanciful tale of romance, comedy, and Italian charm. It begins in Milan with the abduction of a young American, the son of a wealthy businessman, and a ransom demand. But when the three bumbling mafia kidnappers and their hapless victim get lost in the mountains, they end up spending the night in an abandoned cottage that is under a gypsy spell. Upon awakening, each man falls instantly in love with the first soul to meet his gaze, which are, for the kidnappers: a homely spinster; a handsome woodsman; and one cute cow. The American, as luck would have it, is smitten by the sharp-tongued, raven-haired village beauty. Despite everyone's pure motives, things begin to unravel when the double-crossed mafia don and the victim's father arrive on scene to put an end to the madness. But they, too, fall victim to that gypsy love spell, and our tale comes to a fitting end with everyone getting what they wished for - or at least what they deserved.
