Camp
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杰夫·布莱克纳
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贝斯（艾米丽·万凯普EmilyVanCamp饰）从小就渴望成为一名教师，大学毕业后，她得到了一个机会，前往流浪汉避难所在那里执教。虽然贝斯从来都没有想过自己的梦想会以这样一种方式成真，但她还是干劲慢慢的走上了讲台。理想虽然丰满，但现实却是残酷的，避难所里，只有一间教室供贝斯使用，而她要负责的，是整整六个年级的学生。屡屡遭受挫折的贝斯打起了放弃的主意，此时她的丈夫布兰登（ColinBaiocchi饰）坚定的站在了妻子的背后，支持鼓励着她。在布兰登的帮助下，贝斯重新粉刷布置了教室，还招收了一个名叫尼尔森的流浪汉成为了美术老师，这个小小的学校正在走上正轨。
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2022year.Eighteen-year-oldDimafromDonetskisleftaloneafterhisfather'sfuneral.Hehasn'tseenhismothersincechildhoodandhaslongacceptedtheemptinessinhisfamily.Heisfarfromsportsanddoesn'tunderstandhowtheworldaroundisorganized,untilhelearnstheterribletruth:amongthecivilianscapturedinthebesiegedMariupol,theremightbehismother.Insearchofachancetofindher,Dimasignsupasavolunteerinastormdetachmentandgoestherewhereeverydayisachallenge.Butthecloserhegetstotheruinedcity,theharderitistounderstandifhewillbeabletomeethismotherbeforeheloseshimself.
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THE COFFEE MAN follows Sasa from Ethiopia, the birthplace of coffee to Seattle, Washington (USA), the home of the specialty coffee movement and host of the World Barista Championship. From humble beginnings in war-torn Yugoslavia to his adopted home in Australia, Sasa Sestic's journey to the 2015 - World Barista Championships is a long one. But his dedication and pursuit of excellence carries him through as do his family, his staff, coffee growers and roasters and the vendors who travel with him on this remarkable journey. THE COFFEE MAN is an intensely personal, observational documentary that will have you biting your nails, standing up and cheering; and wishing that you, too, could experience Sasa's Holy Grail: the perfect cup of coffee.
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Donatas
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Simukauskas
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Gabija
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Bargailaite
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Povilas
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Jatkevicius
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Sarunas
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Rapolas
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Meliesius
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NobloodyslashershaveeverbeforebeenmadeinLithuania.TakashiMiike’sdie-hardestfanJonasTrukanasaccomplishedhisdreamandindependentlycreatedaninventivelyrippinghorrorthrillerwithaminimalbudget.Bewitchingfromthefirstminutes,thedynamicchasebuildsascaryatmosphereofdanger,fearandhorror,whilealsoclingingtoluckandchance.“Bethehunters...
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安迪·海伊
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IntheChristmasspecial,it’sChristmasinDarrowby,andHelenandJamesrealisetheyhaven’tagreedonwherethey’respendingChristmasDay.MrsHallisexpectingthematSkeldaleandJennyisexpectingthematHestonGrange,andthepairarereluctanttodisappointeitherofthem.Thesituationraisesbiggerquestionsaboutwhattheirliveswilllooklikeinthefuture.Whenabelovedlocalpetistakenseriouslyill,Siegfriedhastobringitintothepracticeforemergencytreatment.Inthefaceofsuchanemergency,HelenendsupfeelinglikeasparepartattheSkeldaleChristmasparty,butfellowfarmerDaveKitsoncouldendupbeingthesolutiontoHelenfindingherplaceatSkeldale,andthekeytotheanimal’ssurvival.Tristanlearnsthatitmightbetimetotakehimselfmoreseriouslyandrevealssomeimportantnews,whileacardfromJames’sfatheraskinghimtophonethemonChristmasDayleavesJamesontenterhooksaboutwhetherhecanmakeamendswithhisfamily.
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Ontherunfromhisformeremployer,areluctanthitmanseeksrefugeinanisolatedvillagewhereheisfacedwitheventsthattestthetruenatureofhisconscience.
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
