Masu
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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Amid-agehipsterinStockholmisatrainingfreakandtrainsforthe90kmskiraceVasaloppet.Hissisteristheopposite,nojob,drinksbuthasadaughter.Suddenlysecretsrevealsandpromisesaremade.
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查恩雅·麦克洛里
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吴翊歌
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本杰明·约瑟夫·瓦尼
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Kulteera
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Yordchang
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大卫·阿萨瓦纳德
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Paramej
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Noiam
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Aticha
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Pongsilpipat
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Wanpiya
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Omsinnopphakul
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"TheOneHundred"tellsthestoryofayoungwomanwhohasjustreturnedfromaforeigncountry.Shehastostayatahoteltoquarantine,butthensuddenlycomesacrossamonsterthatcanchangeitsshapeinavarietyofways,accordingtotheindividualthatthismonsterpossesses.TheconceptofthestorywasinspiredbythestoryofBattambangwhichwastoldduringthereignofKingRamaV.
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Before Krypton exploded and Jor-El put his baby son, Kal-El, in a rocket ship to Earth, the bene册ent ruler was forced to banish three irredeemable criminals to another dimension called The Phantom Zone. The trio's leader, General Zod, vowed revenge. Later, of course, Kal-El grew up to become Superman, Earth's mighty champion. A battle with the criminal mastermind, Lex Luthor, ends with Superman hurling a nuclear warhead into space where it explodes, but not harmlessly. Instead, it frees the Kryptonian threesome from their other-dimensional prison. They soon discover they have almost unlimited power (the same powers, in fact, as Superman), which they use to take over the Earth. Meanwhile, the intrepid reporter, Lois Lane, learns that her bumbling colleague, Clark Kent, is really Superman, a revelation that leads to him bringing her to his frozen Fortress of Solitude and renouncing his powers in order to make love to her. It is only when Superman and Lois return to civilization that they learn of the three Kryptonians and how Lex Luthor has joined forces with them. Now, Superman must reverse the irreversible and regain his powers in order to save mankind.
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伊凡·森
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SimonBakerstarsasTravisHurley,adetectivewhoarrivesinasmallAustralianoutbackcitytoresearchatwenty-year-oldunsolvedhomicideofaneighborhoodAboriginallady.Formingbondswiththesufferer’sfracturedhousehold,Travisunravelsacollectionofarduoustruths,highlightingthecomplexitiesoflossandinjusticeskilledbyFirstNationsAustralians.
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Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well. In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.
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德尼·科泰
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Invitéesenmaisonderepospourexplorerleurstroublessexuels,troisjeunesfemmesoccupentlesjoursetlesnuitsàapprivoiserleursdémonsintimes.Souslasupervisiontranquilled’unethérapeuteallemandeetd’untravailleursocialbienveillant,legroupetentedegarderunéquilibrefragile.PourlajeuneGeisha,lasombreLéonieetl’imprévisibleEugénie,ils’agit,pour26jours,d’éviterlescris,d’apprivoiserleschuchotementsdutempsprésentetdeconsidérerl’avenir.
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李江勋
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改编自漫画「巨大的盖茨比」,以原著的内容为基本,增长了许多人物间的故事,用影像来表示了原著里的富有哲感性的舆论。 因而假如读过原著的不雅众们会从漫画书跟电视剧中能发掘出它们的独特点跟差别,增加不少的不雅看兴趣。 假如不读过原著的不雅众,也会从剧中时上风行的台词跟影像,带给不雅众差别凡响的真诚的打动跟笑声。 这里有 混了二十六年的男子盖茨比 看似宁静!爽朗,现实无奈看懂的友人 夏云斗 怎样也擦不去的盖茨比影子的波斯秀 教盖茨比新的恋情的酷酷的女孩SUN 他们之间产生了另人打动的恋情故事,他们相互妒忌,相互误解,相互损害。 然而恋情却无奈抹去。
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吉姆·沙曼
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布莱德（Barry Bostwick 饰）跟珍妮（苏珊·萨兰登 Susan Sarandon 饰）是一对儿相互倾慕的年青人,素性羞怯的两人,借着加入一场友人的婚礼,终于互诉衷肠,商定了毕生。为了表现对衔接起两因缘分的授业传授的感激,二人驱车前去造访,不意半路遭受狂风雨 ,湿透的两人在夜色中无处落脚,只好向路边一座偏僻古堡告急。 谁知古堡中正演出着一场异色的狂欢扮演。古堡主人——福特博士（Tim Curry 饰）是一名自称来自变性星球的异装癖,他跟佣人与支撑者们尽情狂欢,在布莱德二人眼前展现了叫醒天然人洛基的奇不雅。当天夜里,被离开的布莱德跟珍妮各自阅历了性的休会,二人的思惟起了纤细变更,在后续的一系列变乱中跟福特博士的关联愈发庞杂……
