Kayo
搜索"Kayo" ，找到 以下影视作品
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Thisstoryisaboutamusician,Natalie,whomovestoabigcityandtriesherluckatbecomingfamous.Andhereshefindsnotonlyagreatopportunityforhercareer,butalsoanewlovewithanothergirl,Anna.Theytwoareverydifferent:onepoor,theotheroneisrich,oneofthemwritesmusicandsings,theotheronecannothearorspeak…Theyareunitedbyloveforeachother,buttheirownfearsstandinthewayoftheirhappiness.Theybothgothroughdoubtsandpain.Whentheyfinallyfindcourageintheirhearts,itseemslikeitstoolate…Butdoestruelovehavetimelimits?HISTORYTheproposedfilmisbasedonshortfilmILOVEHER(2013).Thefilmparticipatedinsuchfilmfestivalsas:Frameline39,SanFranciscoInternationalLGBTQFilmFestival,MIXCOPENHAGEN,FestivalInternationalEntr2Marches(Cannesfilmfestival),BostonLGBTFilmFestival,TheBarcelonaInternationalLGTIBFilmFestival.//ThefilmalsoparticipatedinfilmfestivalsheldinMadrid,Paris,Seattle,Boston,London,Hamburg.Inwholethefilmparticipatedin28filmfestivalsof12countries(France,USA,Canada,Switzerland,Germany,Serbia,LatinAmerica,Turkey)and3continents(Europe,America,Asia).
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Raashi Khanna
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Nandita Shwetha
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普拉卡什·拉贾
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Nithiin
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贾雅苏达
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Bhagyashree
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Rajitha
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Meena Vasu
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拉詹德拉·普拉萨德
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Annapoorna
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Vasu "Nithin" is a well-educated youth who belongs to a joint family. He falls in love with Sri(Raashi Khanna) and confronts her father "Prakash Raj" about his love. On the other hand, Sri's father is a rich businessman who does not believe in old-school formalities of marriage and traditions. Rest of the story is as to how Vasu takes things into his hands and makes his wedding happen on a traditional note by changing Sri's father's mindset.
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A year after a devastating flood has killed five locals in an idyllic country town, a mysterious new plant appears. The plant's phenomenal ability to restore youth is so formidable that attempting to harness it means re-evaluating values.
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Fed up with the lack of critical appreciation despite being a successful writer, Abhimanyu Roy (Ayushmann Khurrana) returns to his roots in Kolkata to write more meaningful literature and decides on an old-fashioned love story - which was now, 3 - years in the making. This writer's block is called Bindu (Parineeti Chopra). How do you contain this unpredictable, crazy, restless, larger than life, live wire in the pages of a book? As Abhi says ''You know when a song comes on and you just have to dance? Bindu was that song. That silly infectious joyful tune you couldn't get out of your head - even if you wanted to." So where should he begin? Where should he end? But when Abhi stumbles across an old audio cassette of their favorite playlist, it sends Abhi down memory lane - and as he waltzes in and out of his past and present through the songs in the mixed tape, he finally faces reality and reconnects with his roots, with his family and his novel starts writing itself. Of course, life in ...
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Nothing really looks what it really is when you look from a distance and so is Jinwoo’s quiet life, far from the hectic, stressful city life, tucked away in the beauty of the Korean countryside, welcomed with open arms by a loving new “family” that has accepted, on their sheep ranch, him and Seol, his wonderful niece who he loves as if she were his own daughter. But when Park Kun-young's careful and precise direction begins to focus on the details of Jinwoo's existence, slowly revealing his restless soul, we gradually discover the complexity of the reasons that led to Jinwoo's extreme choice to retire in the countryside to live like a shepherd. The arrival at the ranch of Jinwoo’s longtime male friend from university, Hyunmin, upsets all balance. Moonkyeong, the ranch owner’s daughter, who has a crush on Jinwoo, accidentally discover the two men in bed and shortly afterwards Jinwoo’s twin sister, and Seol’s birth mother, shows up at the ranch after years of absence and silence and wants to take her daughter back to Seoul. The community of that small country place, which seemed kind and nice, slowly reveals their true colours and deep disapproval of the two men's relationship. The fragile sandcastle of happiness that Jinwoo has struggled to build is crumbling and the cold, harsh winter is upon him. Giovanna Fulvi
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When,atthebeginningofDeusIrae,FatherJavierstaresatacrucifix,hisexpressionsandhishandssuggestthatthenervesareconsuminghim.Aflashbackrevealsthatthispriestdevoteshislifetovisitingfamiliesthatclaimtohaveseenthingsthatdonotbelongtothisworldandcleansingtheirhomesfromthedemonsthattrytopossessthem.But,uponreturningtothosehouses,henoticesthattheevidenceisalwaysdestroyed.Thisway,hediscoversthataclanisafterhim,andmustdecidewhethertohidefromthemorjointhem.Intimeswhenhorrorcinematendstofallintothehandsofdirectorsthatseektobuildnarrativesthatareintrospectiveandclosetoreality,PedroCristianigoesbacktoold-schoolhorror,wheregoreandthephysicalexperienceareaboveanyotherkindoffeeling.Acinemathatplacesthecamerainfrontofthefacesofthebloodiestdemonsand,insteadofgivinglogictothem,choosestofacethemwhateverthecost.
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Whiletryingtorelaxafteratoughyear,Bishop,Pikeandhisfamilysoonfindthemselvescaughtupinthefrighteningkidnapofayounggirl.?Havingbefriendedtheyounggirl’sparentsearlierthatday,BishopandPikedecideit’stheirdutytousetheirexpertisetohelpthecouplewintheirdaughterback.Thekidnappersdemandanunreasonablerewardforthesafereturnofthegirl,buthavenoideawhothey’renowupagainst.
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Ester and her overbearing mother run a small bed-and-breakfast near the US/Mexico border. One night, two unwanted guests arrive, threatening the safety of everyone. But the qiwan.cc two women are hiding a secret, one that may prove the most dangerous of all.
