Lifante
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1960年月,纽约意大利人集结的布朗克斯区。黑帮老迈辛尼(查兹·帕尔明特瑞 Chazz Palminteri饰)是外地赫赫著名的帮会人物。在一宗凶杀案现场,九岁的男孩安奴(弗朗西斯·卡普拉 Francis Capra饰)目击了这所有。为了街区的声誉,安奴谢绝供出凶手就是辛尼,此事促使他俩开展一段俨如父子般的忘年友谊。但是安奴的父亲罗兰逊(罗伯特·德尼罗 Robert De Niro饰)对此却并不赞同,唯恐儿子掉路知返。八年后,十七岁的安奴(李洛·布兰卡托 Lillo Brancato饰)曾经生长为一名漂亮少年。辛尼的权势正在逐步扩展,安奴对辛尼愈发崇敬,对黑帮生涯也愈加神往。老实正派的罗兰逊对儿子的忧愁越来越重。 由奥斯卡影帝罗伯特·德尼罗执导的片子童贞作「布朗克斯的故事」,入围1993年第50届威尼斯国际片子节金狮奖。
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这一季开端,俏丽的独身毒妈NancyBotwin(玛丽·露易斯·帕克Mary-LouiseParker饰)正在自家的花圃中,跟大儿子Silas(亨特·帕瑞施HunterParrish饰)!小儿子Shane(亚历山大·古尔德AlexanderGould饰)!小叔子Andy(贾斯汀·柯克JustinKirk饰)!挚友Doug(凯文·尼龙KevinNealon饰)等享用家庭时间。忽然,一个红点照在她的额头上。立刻,Nancy被偷袭枪击中倒地,世人慌作一团。小儿子Shane(亚历山大·古尔德AlexanderGould饰)并不去念大学,而是考入了警员黉舍,并依据手头的资本查到了开枪射击Nancy的凶手——恰是多年前Nancy来往过的谁人逝世缉毒警员的儿子。Shane是会黑暗动手为母亲报复呢,仍是走执法顺序把罪犯奉上法庭!而Nancy会不会渡过伤害期!
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沃尔特·塞勒斯
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里约热内卢的中央车站,朵拉(费尔南达-蒙特内格罗FernandaMontenegro饰)在这里帮人写信。但她会把看不顺眼的信统统撕掉不寄,甚至公开读信里的内容取乐。朵拉生活拮据,年纪不小却还未嫁,或许在她内心,人与人之间的真情根本就不值得信赖。小男孩约书亚(文尼西斯狄奥利维拉ViníciusdeOliveira饰)的出现令她开始了一段重新认识人生的旅程——约书亚很想见到远方素未谋面的父亲,不断写信给他。男孩母亲意外的车祸让朵拉决定陪伴约书亚前往东北部寻找父亲。在约书亚眼中,即使父亲很陌生,却总是骄傲地谈起父亲。而朵拉,也同样有着一段和父亲的痛苦往事。在约书亚寻父的过程中,朵拉因为往事而冰冻的内心慢慢回暖。
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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维姆·文德斯
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查韦斯(哈利戴恩斯坦通HarryDeanStanton饰)迷失在德州荒无人烟的沙漠中,因为身体虚弱而昏迷。医院联系了他的弟弟沃特(迪恩斯托克维尔DeanStockwell饰)来接他。出院的查韦斯一直沉默,直到看见“巴黎,德州”的牌子,才终于开口。回到洛杉矶弟弟家,查韦斯见到了儿子——亨特(亨特卡森HunterCarson饰演),弟弟弟妹其实是养父养母。但是亨特对突如其来的父亲并不接受。后来,查韦斯用很特别的方式收复了孩子的心。通过交流,查韦斯了解到孩子的生母——简(娜塔莎金斯基NastassjaKinski饰)的下落。于是,父子踏上了一条寻母之路……本片获第37届戛纳电影节最佳影片金棕榈大奖。
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萨杜斯·奥沙利文
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TheindomitableDCIVeraStanhope,assistedbyhertrustedcolleague,DSJoeAshworth,stepsupforanotherseriesofchallengingcases.Sheinvestigatesthemysteriousdeathofapensioneronabusycommutertrain(OnHarbourStreet),unearthsathirtyyearmysteryafterabrutalmurderonthesandsofaseasideresort(Protected),unpicksthetragiclastmonthsofafailednovelistgunneddownonaremoteNorthumberlandmoor(TheDeerHunters),anddelvesintothetangledlifeofabusinessmanfoundfloatinginthewaterundertheGatesheadMillenniumBridge(DeathofaFamilyMan).InspiredbythenovelswrittenbyrenownedcrimewriterAnnCleeves,andfilmedagainstabackdropofoutstandingNorthumberlandlandscapesandatmosphericproduction,eachenthrallingstoryisenhancedbythecaptivatingperformanceofBrendaBlethynasthisshambolicyetbrilliantdetective.
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兰德尔·赖特
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The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael. Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism. As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.
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Thesixthseasonof30Rock,anAmericantelevisioncomedyseriesontheNBCnetworkintheUnitedStates,beganairingonJanuarywww.5233tv.comRockwasrenewedforasixthseasonbyNBConNovember15,2010.[4]Theseasonbeganairingmid-seasontoaccommodateTinaFey'spregnancy.OnNovember14,2011,NBCannouncedthat30Rockwouldreturnatthenewtimeof8:00pm.Th...
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弗朗西斯卡·约翰逊(MerylStreep饰)去世了,留下的遗嘱要求孩子们将自己的骨灰撒在罗斯曼桥。困惑的孩子们翻看母亲的遗物,揭开了母亲生前的一段动人感情。1965年夏季的一天,主妇弗朗西斯卡送走了丈夫理查德(JimHaynie饰)和孩子们,独自做着家务。摄影师罗伯特·金凯德(ClintEastwood饰)误打误撞来到这里,向她打听罗斯曼桥的所在。她平静的心起了波澜,于是带他来到桥头。当天的工作结束后,他送她一把野花致谢,并接受她的邀请,与她共进晚餐。第二天凌晨他走后,恋恋不舍的她回到罗斯曼桥,将一张字条钉在桥头,邀请他再次共进晚餐。他再次接受了邀请。两人在罗斯曼桥相会,爱情的火焰在两人心中熊熊燃烧。他请求她随他一起远走,但她割舍不下现有的家人和世俗的幸福。他黯然离开。十多年后,深爱弗朗西斯卡的理查德去世。又过三年,她收到了罗伯特的死讯。他把大部分的东西留给了她,并要求将自己的骨灰撒在罗斯曼桥。
