Tariang
搜索"Tariang" ，找到 以下影视作品
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弗朗索瓦·欧容
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早已功成名就的女性神秘小说家莎拉莫顿（CharlotteRampling夏洛特汉普林饰）却为新作烦恼不已，在出版商约翰布兰德（CharlesDance查理士当斯饰）的建议下，她来到约翰的家乡别墅，一面休养，一面寻找灵感。乡间的悠哉生活使莎拉从久居伦敦的疲惫中解脱出来，尽情享受着难得的休闲时光。某晚，自称约翰女儿的茱莉（LudivineSagnier卢蒂文萨尼埃饰）不宣而至，茱莉开朗、张扬、放荡，与古板莎拉格格不入。莎拉的创作计划被打乱，而一丝不祥的气息也悄然弥漫开来……本片荣获2003年欧洲电影界最佳女主角奖（夏洛特汉普林）、2003年曼谷国际电影节最佳影片奖。
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Psychomagic explores the therapeutic work of director Alejandro Jodorowsky, showing by means of real acts, what Psychomagic is, its principle, how it is practiced, and how it is applied in life. Jodorowsky works directly with real, suffering people who are eager to solve their problems.
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伊斯麦（路易斯·加瑞尔 Louis Garrel 饰）跟茱莉（露迪芬·莎妮 Ludivine Sagnier 饰）是一对发生裂缝的情侣,因而胡思乱想找来伊斯麦共事爱丽丝（克劳迪德·埃斯曼 Clotilde Hesme 饰）参加他们,试图用三人行动恋情增长豪情。但三自我的恋情,毕竟只是烦忙的叠加,一场辩论之后,茱莉突发心脏急病倒在酒吧。现在剩下伊斯麦跟爱丽丝的二人间界,但是愧疚跟惦念令伊斯麦无福消受,茱莉的家人也开端以“关心”的姿势进入伊斯麦的生涯,尤其是其姐珍娜（基娅拉·马斯特洛亚尼 Chiara Mastroianni 饰）近乎骚扰地涌现在他家里,令他将近发狂。为了回避所有,伊斯麦躲到挚友家,却又引来挚友弟弟伊旺（格雷戈瓦·勒普兰斯-林盖 Grégoire Leprince-Ringuet 饰）的热闹寻求…… 巴黎的雨老是不平息,正如悲伤的男子永久走不出一段已逝世情绪的暗影……
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居伊·德波
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内详
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Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
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Taylorisaworkaholicwithnotalotgoingoninhersociallife.Oliveisanaspiringactress,withlittlemoneytohername.Astheholidaysnear,TaylorgetsacallfromherdadaboutvisitingherfamilyforChristmasandthattheyfinallywanttomeethergirlfriend.Sheagrees,afterfeelingguiltyaboutnotseeingtheminalongtime,butthere'saproblem:Taylorandher...
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迈克尔·哈内克
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这本该是一个平静美好的早晨，乔治（乌尔里希·穆埃 Ulrich Mühe 饰）和妻子安（苏珊娜·罗莎 Susanne Lothar 饰）带着儿子来到位于湖边的小屋度假，乔治和儿子前往湖边整理之后要使用的帆船，而安则在厨房里安置生活用品。一声尖锐的门铃划破的所有的平静，来者是一名看上去彬彬有礼的年轻人，他自称皮特（弗兰克·捷林 Frank Giering 饰），此行前来打扰是为了借一枚鸡蛋。皮特端正的外表取得了安的信任，但随后发生的事情却让安大跌眼镜。这时，一名叫保罗（亚诺·弗里斯奇 Arno Frisch 饰），外貌酷似皮特的男子敲响了安的房门，同时，乔治带着儿子也回家来了。演员都到齐了，一家三口怎么也无法想到的是，等待着他们的，将是来自这两个白衣恶魔的，毫无动机，毫无怜悯，毫无理智的凌虐。©豆瓣
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乔纳森·林恩
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This movie is a remake of the hit series which starred, Phil Silvers as Sgt. Bilko. In this movie, Bilko tuns the motor pool and has all sorts of scams going on like gambling, renting out military vehicles, and so on, which are all violations. However, his commanding officer, Colonel Hall overlooks them, cause he is more concerned about his future, cause a lot of bases are being closed, and the inspector, Major Thorn was on the verge of doing that. But when he heard that Bilko was on the base, he turned into a mad dog. It seems that Thorn was a "thorn" in Bilko's side many years ago but through a series of misunderstandings, Thorn was accused of carrying out or being the brains behind one of Bilko's schemes, he would be sent to Greenland and his career has not gone as he hoped it would and now wants revenge on Bilko.
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丹尼·麦克布莱德
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约翰·古德曼
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约书亚·米克尔
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亚当·德维尼
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卡西迪·弗里曼
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艾迪·帕特森
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肯特·绍克内克
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沃尔顿·戈金斯
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托尼·卡瓦勒罗
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安德莉亚·鲍威尔
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托比·哈斯
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瓦琳·霍尔
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詹姆斯·杜蒙特
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玛拉·马普勒斯
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杰德·佩蒂约翰
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玛丽·克拉夫特
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克洛伊·特埃考丝
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格雷戈里·艾伦·威廉斯
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Kelton
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DuMont
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Gavin
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Munn
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Charles
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D.
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Clark
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Troy
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Anthony
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Hogan
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Mary
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Hollis
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Inboden
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Christopher
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Ross
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Keith
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D
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Doole
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「我爆粗嗑药贪污嫖娼，但我知道我是个好牧师」《布道家庭》聚焦以电视福音布道闻名于世的珎石家族，讲述他们叛逆贪婪却又不忘慈善事工的奇葩事迹。故事主角杰西·珎石自视为福音行当中特立独行之弟兄，以父亲伊莱·珎石的事工为基础，积极拓展更为摩登的当代受众群体。珎石家族现任成员及有关人士：伊莱·珎石(EliGemstone,约翰·古德曼饰)，杰西的父亲杰西·珎石(JesseGemstone,丹尼·麦克布赖德饰)朱迪·珎石(JudyGemstone,艾迪·帕特森饰)，杰西的妹妹开尔文·珎石(KelvinGemstone,亚当·德万饰)，杰西的幺弟安珀·珎石(AmberGemstone,卡西迪·弗里曼饰)，杰西的妻子，前记者、现致力于教会事务马丁·伊马里(MartinImari,格雷格·阿兰·威廉姆斯...
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史蒂文·萨瓦里克
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上世纪40年月,理查德·皮蒙特（Ron Livingston 饰）出身在一个平常却危急重重的家庭里。母亲（Rebecca De Mornay 饰）因持续小产精力上遭遇严峻的困扰,父亲（Clint Jung 饰）则因一次不测过早地分开人间。一次偶尔的机遇,让理查德爱好上了报告,固然学历不高,然而他凭仗精彩的谈锋博得了有数的声誉。不外他的自负却受到一位传授无情的袭击,在此之后,理查德强迫前去越南疆场,并在那边留下了毕生的残疾。 返国后,理查德因耳聋的疑问无奈进退黉舍,也得不就任何任务。事先的美国社会对残疾人还布满诸多不解,他与很多残疾友人碰到了有数的刁难跟耻辱。在这一进程中,理查德垂垂找到人生行进的偏向……
