Mark
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Polish comedy of 1971, the species 'crazy'. In a September, the Monday (and exactly 15 September), a group of residents and visitors struggling with adversity. Despite the light of criticism of Polish reality, expressed in a typical director Tadeusz Chmielewski surreal way, the movie is laurk? for Warsaw, full of optimism, nicely showing her beautiful places.
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Looking for work, Aaron comes across a cryptic online ad “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town, where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
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Thisfilmcriticizesthemonstrouscapitalismasshowingthe‘inferno’thatafamilymanhastoexperiencetoearnalivingforhisfamily.Thecoldanddarkwinteremphasizesthedie-hardlikestruggleofthismiserableman.Thephotographyismarvelousinthisverydarkatmosphere.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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AseeminglytrivialcaseofasmallcarpentrybusinessthathasgonebankruptundermysteriouscircumstancesgetsMads'attention.ClaudiaisreleasedafteroneandahalfyearsinprisonbuthersonisinParisandtheonlyworkshecanfindisatacoffeeshop.ButthenshegetsavisitfromEnergreen'soldchairman,Mr.Christensen.NickyandBimsestillhastheautorepair...
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约翰·罗斯
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Inthismoderncreaturefeature,ascaryinternetmemecalled"Grimcutty"stirsuppanicamongstalltheparentsintown,convincedit'smakingtheirkidsharmthemselvesandothers.Whenareal-lifeversionofGrimcuttystartsattackingteenAshaChaudry,herparentsbelievethatshe'scuttingherselfaspartofachallenge.Withherphonetakenawayandnoonewhobelieveshe...
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男主角DaveSkylark（詹姆斯·弗兰科饰演）是一位美国脱口秀主持，和他的制作人AaronRapoport（塞斯·罗根饰演）经营着他们非常成功的明星八卦电视秀《今夜胡闹秀》(SkylarkTonight)。当他们发现北朝鲜大独裁者金正恩正是他们节目的粉丝，于是他们决定对他进行采访，并试图成为官方授权的记者。Dave和Aaron准备前往朝鲜首都平壤，而当美国中央情报局CIA招募了他们，这使得此次平壤之行的计划有了改变：他们两个也许是你最无法想象的，也是最没能力去刺杀金正恩的人选。
