Toe
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安德鲁·安
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两个亚裔喜剧人杨伯文(《SNL》)和JoelKimBooster(《大哥大姐没出息》)将主演同志题材爱情喜剧片《火岛》(FireIsland)。该片把《傲慢与偏见》做现代新编,讲述两个好友一起去纽约长岛著名的同志世外桃源“火岛”度过一周假期,陪伴他们的是便宜的葡萄酒和一群不拘一格的朋友。探照灯影业和JAXMedia(《轮回派对》)等出品,安德鲁·安(《车道》《桑拿夜》)执导,Booster也担任编剧,8月开拍,将在Hulu(美国)和Disney+旗下的Star(美国之外的全球部分地区)流媒体上线。
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InspiredbysurrealistartandGreekmythology,AWoundedFawnfollowsthestoryofMeredithTanning,alocalmuseumcuratorwhoisdippinghertoebackintothedatingpool,onlytobetargetedbyacharmingserialkiller.Whenafatefulromanticgetawaybetweenthetwobecomesatensegameofcatandmouse,bothmustconfrontthemadnesswithinhim.
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兰德尔·克莱泽
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故事产生在1978年,12岁的男孩大卫(乔伊·克莱默 Joey Cramer 饰)在不测之中坠入山谷,得到了认识。醒来后,大卫回到了家,却发明面前的所有曾经物是人非,本来此时的时光曾经离开了1986年,这也就象征着,12岁的大卫须要面临的,是八年后的未下天下,在大卫苏醒时期,毕竟产生了什么! 大卫好不轻易找到了掉散的家人,现在比他小四岁的弟弟杰夫(Matt Adler 饰)现在曾经长成了大男孩,而大卫却仍是12岁的样子模样。之后,一艘外太空飞翔物下降地球,而它的存在跟大卫碰到的难明之谜有着蛛丝马迹的关系。于是,太空总署找到了大卫,生机他可以帮助考察此事。
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约翰·亚历山大
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BELGRAVIAisthestoryofasecret.AsecretthatunravelsbehindtheporticoeddoorsofLondon’sgrandestpostcode.Thestorybehindthesecretwillberevealedinweeklybite-sizedinstalmentscompletewithtwistsandturnsandcliff-hangerendingsthatwillbedelivereddirectlytoyourmobile,tabletordesktopviaabrandnewapp.Youcanreadit,orlistentoit,orjumpbetweenthetwo.Setinthe1840swhentheupperechelonsofsocietybegantorubshoulderswiththeemergingindustrialnouveauriche,Belgraviaispeopledbyarichcastofcharacters.ButthestorybeginsontheeveoftheBattleofWaterlooin1815.AttheDuchessofRichmond’snowlegendaryball,onefamily’slifewillchangeforever...
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Adisgracedexspecialforcesagentturnstoademonthatoffershimajobasasoulhunter.Chaosensueswhenaformerassociategoesonakillingspreewiththesoulhunterashismaintarget.
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Anintensedramaabouttwoyoungwomendesperatetoescapetheirrepressivesmalltown,whosefriendshipischallengedafteranightofdebaucherythreatenstoundotheirgrandplansforfreedom.
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德累斯顿着名餐厅业主被杀戮,goeniak及hennrichs循线侦办而触摸到构造犯法的天下,但新的线索却指出餐厅业主的家人涉有重嫌。
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来自纽约的都市女孩ZoeHart正憧憬着自己的未来--她以全班第一的优异成绩从医学院毕业,将继承父亲的衣钵当一名心胸外科医生。可是当Zoe的梦想破灭之后,她不得不接受性情古怪的HarleyWilkes医生的邀请,去他开办的小诊所工作。离开喧嚣的都市,Zoe只身一人来到这座南方的海岸小镇--阿拉巴马州的蓝铃镇。让Zoe惊讶的是,Harley已经去世了,但却将诊所的一半所有权以遗嘱的方式送给了她。Zoe为南方人的好客所感动,可事情真是这样吗?
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翁贝托·伦齐
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
