Wieth
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乔纳森·莱文
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四好青年亚当（约瑟夫·高登-莱维特 Joseph Gordon-Levitt 饰）的生涯很美满,任务顺遂,家庭跟气,没想到,只是偶然令他困扰的背痛竟然被确诊为疗愈率50/50的癌症。疾病的袭击,女友瑞秋（布莱丝·达拉斯·霍华德 Bryce Dallas Howard 饰 ）的 拜别,母亲的伤心让本来自负面临病魔的亚当逐步的觉得丧气跟掉望,只有逝世党凯尔（塞斯·罗根 Seth Rogen 饰）始终用他特有的方法不离不弃的陪同在他的身边。凯瑟琳（安娜·肯德里克 Anna Kendrick 饰）是一名缺少教训的心思大夫,担任亚当的情感劝导,名义上专业镇静为人排忧解难的她,生涯跟情感上倒是一团糟。两个潦倒的人,在疾病这个特其余情况下相遇,从最初的误解到跟解,他们逐步的感到到,兴许这个天下上最主要的货色就在自己的身边。 影片由编剧威尔·里瑟尔的实在阅历改编而成,而事先站在他死后始终支撑他的友人恰是扮演凯尔的塞斯·罗基自己。
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Halloween 1997 – the last night of high school for Corey, Jango and their skater gang, The Gromits. Childhood is over and adult life beckons. But for Corey, his past has some unfinished business. When he encounters Jonah, a former childhood friend but now victimised by Jango’s cruel streak, Corey takes pity on him and agrees to walk him home for old time’s sake. What starts off as a normal walk through empty suburban streets descends into something darker and magical, as trip through their memories and ghosts of the past, and Corey is surprised to discover how much he still has in common with his abandoned friend. And even the most buried truths will find a way of coming to life. Best unproduced screenplay award at the 2011 New York Gay and Lesbian Film Festival.
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Ter
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Sittar
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Theerapatvej
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Golf
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Witchayapong
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Krungsrimueng
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Jam
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Banthita
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Kansoot
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Khwan
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Khwanruedee
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Wongphat
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讲述了金恩和他的两个朋友去泰国北部度假的故事。然而，金恩的电话坏了，他们的计划泡汤了，这导致他们去见诺斯。金恩请他当他们的导游，因为他在这个地方长大，什么都知道。这个旅程会从他们的内心出发吗？FollowsthestoryofKinnwithhistwofriendstravellingtoNorthernThailandforavacation.However,Kinn'sphonegotbrokenandtheirplansareruinedwhichleadsthemtomeetNorth.Kinnaskedhimtobetheirtourguidesincehewasandraiseinthisplaceandknowseverything....
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Thisstoryisaboutamusician,Natalie,whomovestoabigcityandtriesherluckatbecomingfamous.Andhereshefindsnotonlyagreatopportunityforhercareer,butalsoanewlovewithanothergirl,Anna.Theytwoareverydifferent:onepoor,theotheroneisrich,oneofthemwritesmusicandsings,theotheronecannothearorspeak…Theyareunitedbyloveforeachother,buttheirownfearsstandinthewayoftheirhappiness.Theybothgothroughdoubtsandpain.Whentheyfinallyfindcourageintheirhearts,itseemslikeitstoolate…Butdoestruelovehavetimelimits?HISTORYTheproposedfilmisbasedonshortfilmILOVEHER(2013).Thefilmparticipatedinsuchfilmfestivalsas:Frameline39,SanFranciscoInternationalLGBTQFilmFestival,MIXCOPENHAGEN,FestivalInternationalEntr2Marches(Cannesfilmfestival),BostonLGBTFilmFestival,TheBarcelonaInternationalLGTIBFilmFestival.//ThefilmalsoparticipatedinfilmfestivalsheldinMadrid,Paris,Seattle,Boston,London,Hamburg.Inwholethefilmparticipatedin28filmfestivalsof12countries(France,USA,Canada,Switzerland,Germany,Serbia,LatinAmerica,Turkey)and3continents(Europe,America,Asia).
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迈克·菲吉斯
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本（尼古拉斯•凯奇 Nicolas Cage 饰 ）一个是潦倒穷困的编剧,整天借酒消愁,被公司开革后,郁郁不掉意的他变卖了全部的产业,前往拉斯维加斯开端了他慢性自残的筹划。他盘算在多少周的时光内,饮酒至逝世。在斑驳陆离的拉斯维加斯,醉醺醺的他碰见了妓女莎拉（伊丽莎白•苏 Elisabeth Shue 饰）。莎拉过着同样可怜的生涯：被皮条客掌握自在,频繁出逃不遂。本跟莎拉共度了一夜,这夜他们相互倾吐,同是海角沉溺人。 二人很快同居,但莎拉并不阻拦本继承痛饮。本在本人的天下里沉沦得越来越深,直到有一天跟另一个女人躺在莎拉床上,莎拉大发雷霆,将本赶落发门。本在酒精的熬煎下气壮山河,他打德律风给莎拉,是否让性命跟情感更生。
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Firenze's leading, very wealthy jewelers family heir Francesco Sabrini received a cryptic death treat on the back of a renaissance painting in their private attic collection. A masterly forgery was offered in Fabio Milus's Roman auction house, but German-born art expert Susanna Noll kept it back for investigation in he artist's home city, Florence, to consult her art history mentor, professor Andreas von Weissenfels. There she stays with friend Elisabeth Lanzi, who introduces here to Francesco and his family. During their research, which unearths modern crime with a link to a Renaissance-rumored fratricide, initially secretive Francesco and Susanna become lovers
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When,atthebeginningofDeusIrae,FatherJavierstaresatacrucifix,hisexpressionsandhishandssuggestthatthenervesareconsuminghim.Aflashbackrevealsthatthispriestdevoteshislifetovisitingfamiliesthatclaimtohaveseenthingsthatdonotbelongtothisworldandcleansingtheirhomesfromthedemonsthattrytopossessthem.But,uponreturningtothosehouses,henoticesthattheevidenceisalwaysdestroyed.Thisway,hediscoversthataclanisafterhim,andmustdecidewhethertohidefromthemorjointhem.Intimeswhenhorrorcinematendstofallintothehandsofdirectorsthatseektobuildnarrativesthatareintrospectiveandclosetoreality,PedroCristianigoesbacktoold-schoolhorror,wheregoreandthephysicalexperienceareaboveanyotherkindoffeeling.Acinemathatplacesthecamerainfrontofthefacesofthebloodiestdemonsand,insteadofgivinglogictothem,choosestofacethemwhateverthecost.
