Bambi

大不列颠。150AD。当四名使者被罗马派往沾染了瘟疫的喀里多尼亚,并给他们的国王以跟平与赞助的讯息时,掉落了,罗马别无挑选,只能将十个最好的信徒送出哈德良长城,以找到并把他们带回。在他们的队长多米蒂乌斯（Domitius）（乔治·麦克卢斯基（George McCluskey）,「僵尸王」（The Zombie King））以及两个最壮大的兵士格拉克（Grackus）（斯图尔特·布伦南（Stuart Brennan,Risen））跟内尔瓦（Nerva）（马克·保罗·威克（Mark Paul Wake）,「 Z筹划」）的率领下,军团很快认识到,期待他们的货色比人类已知的任何瘟疫或部队都要蹩脚得多-并且在他们被野兽逐鹿捡拾的进程中,他们被一自我一个接一个地摘下,他们无奈对抗,生活上去这是他们独一的生机,会有人忠告罗马当初可能面对的伤害。为罗马而战。为凯撒而战。为生活而战。

MónicaadoresherdaughterClara.Oneday,theteenagerisfoundunconsciousandinacoma,acomathateventhedoctorscantexplain.Anxious,filledwithpainanddrivenbydesperation,Monicawoulddoanythingtosaveherandbringherbacktolife.Evensomethingthatcouldcauseunexpectedconsequences...DavidVictoridivesintothesupernaturalhorrorthrillerrealmtopresenthisdebut,andhedoesitbybeingateasewithalltheelementsofthegenre.Heintroducesastorythatshowsthedarknessweallhaveinside,bringingthecharacterstotheemotionalverge.Elegantandfilledwithasuggestiveatmosphere,combiningsubtlehintsandsuspensetraces,thefilmisenhancedbytheperformancesofthecharismaticBelénRuedaandDaríoGrandinetti.Victorihasalreadyachievedalot,heisawinnerofYoutube’sFilmFestivalandmadeawebseries,Zero(2015),whichwasproducedbyRidleyScottandMichaelFassbender.ThePactisyetanotherexcitingnewstepinhisjourneyasfilmmaker.

Inaluxuriousseasidevilla,amodestyoungwomanfindsherselfinthecompanyofastrangefamily:anunknownandwealthyfather,hisextravagantwife,hisdaughter,anambitiouswoman,arebelliousteenager,andtheircreepymaid.Someoneislying.Betweensuspicionsandlies,amysterygrowsandtheevilspreads.

在第一集恐怖杀戮的六个月后，千尸屋费尔弗莱家族的邪恶行径终于大白天下。在维德尔警长（WilliamForsythe饰）的带领下，警方对千尸屋展开围剿。混战中，鲁夫斯中弹身亡，母亲（LeslieEasterbrook饰）被捕。魔头奥提斯（BillMoseley饰）、贝比（SheriMoonZombie饰）以及他们的父亲斯鲍丁（SidHaig饰）则分路逃脱。在逃的奥提斯等人如同从地狱释放出的恶魔，他们沿路杀戮，血流成河，而维德尔警长则在身后紧追不舍，一场正邪较量裹挟着血雨腥风拉开大幕……本片荣获2005年Fangoria（美国恐怖电影杂志）链锯奖最佳杀手电影奖和地狱亲属奖（BillMoseley&SheriMoonZombie）、2006年Fangoria链锯奖最佳男主角奖（SidHaig）。

　　The movie concerns about Trinity(Terence Hill=Mario Girotti)a roguish and cocky gunman with fast weapon who works as bounty hunter.His brother Bambino(Bud Spencer)is sheriff in a village but is also an undercover thief which attempts execute a heist.　　The'll face off against a rich owner(Farley Granger) and a Mexican marauders who try evict to a Mormons group. They help to the pacific settles and the confrontation will be inevitable but is developed by means of successive fights without blood,neither gore or cruel murders.The violence isn't crude but slight and predominates the comedy and parody. The storyline is embarrassment and ridiculous but has its agreeable moments here and there.It's a spaghetti western with humor and narrates the usual issues:invincible antiheroes,spectacular showdown ,violent taking on but united to slapstick and simple humor.It's an entertained Italian western with adequate runtime where there are irony,tongue in check,shoot outs,numerous struggles and is quite funny and amused. Terence Hill is sympathetic,hilarious and likable; Bud Spencer is rough, two fisted,bouncing ,grumpy man but with good heart,their characters are similar to Stan Laurel and Oliver Hardy.The film is a spoof of famous films as ¨the magnificent seven¨ and ¨blazed saddles ¨but covered with spaghetti.The picture obtained a sequel with the same protagonists and director¨Trinity is still my name¨.Besides originated a series of awful imitations and copies. Rating:nice and bemused.

CIAanalystRileyQuinnlosteverythingwhensheblewthewhistleontheUSgovernment.Huntedintoexile,sheescapedtoColombia.Twoyearslater,RileyislivingalonerlifestylewhensuddenlyCIAAgentBillDonovanshowsupwithanoffer.Hernamewillbeclearedifshehelpsaninternationaltaskforceconfiscatemillions.Rileyacceptsthejob,butsherealizestoolatethatitsalie.Pursuedbycorruptagents,Rileymustbattlethedemonsofherpastandfindawayback[emailprotected]

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

Anambitiousprofessorbecomescaughtupinthemurderofaparticipantinhissleepstudy,asthelinesbetweendreamsandrealityblur.

　　Goldie, a precocious teenager in a family shelter, wages war against the system to keep her sisters together while she pursues her dreams of being a dancer. This is a story about displaced youth, ambition, and maintaining your spirit in the face of insurmountable obstacles.