Kauê
搜索"Kauê" ，找到 以下影视作品
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恩斯特·刘别谦
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故事发生在奥地利维也纳，丘托克（阿道夫·门吉欧 Adolphe Menjou 饰）虽然迎娶了年轻美貌的妻子米琪（玛丽·普雷沃斯特 Marie Prevost 饰），但他的婚姻生活却并不幸福，因为米琪是一个水性杨花的女人，结婚没多久就移情别恋了。米琪喜欢的是自己的好友夏洛特（Florence Vidor 饰）的丈夫弗兰茨（蒙蒂·布卢 Monte Blue 饰），对他百般引诱，而丘托克决定将此作为提出离婚的绝佳契机，于是雇佣了私家侦探（哈利·迈耶斯 Harry Myers 饰）想要得到米琪出轨的证据。 夏洛特当然明白米琪的狼子野心，于是对她处处提防，而因为米琪的介入，她和弗兰茨之间的感情也渐渐出现了裂痕。终于，在一次激烈的争吵后，弗兰茨选择了离家出走。
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EineBandelocktAbahachi(MichaelBullyHerbig)undRanger(ChristianTramitz)ineineFalle,umdaslegend?re?KanudesManitu“inihrenBesitzzubringen.AufgrundfalscherAnschuldigungenfindensichdiebeidenBlutsbrüderamGalgenwieder.DochinletzterSekundewerdensievonihremtreuenFreund,demliebenswertenDimitri(RickKavanian),gerettet.Allerdingsstelltsich...
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让-保尔·萨罗米
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巴斯蒂安·布永
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康坦·多尔迈尔
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洛丽塔·夏马
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勒达·卡代布
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弗兰西斯·莱珀雷
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萨拉·吉罗多
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奥利维尔·卢斯托
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弗朗索瓦·佩彻
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塞德里克·韦伯
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卡米尔·雅毕
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皮埃尔·洛廷
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Victor·Poirier
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Arthur·Teboul
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Margaux·Rossi
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Christophe·Kourotchkine
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Frédéric·Buret
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皮埃尔·吉拉德
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Helena·Sadowy
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Julien·Massetti
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阿兰·布兹盖
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ThestorychartshowyoungPolishrefugeeJanBojarskibecamethebiggestcounterfeiterofalltime,“theCézanneoffakemoney”,inpost-warFrance;how,foroverfifteenyearsandunbeknownsttohisfamily,thismanledadoublelifemakingcounterfeitmoney-whichwas“morereal”thanthenotesprintedbytheBankofFrance-inashedatthebottomofhisgarden;andhow,inalltheseyears,thisunparalleledfakermanagedtoslipthroughthepolice’snettobecomethethorninCommissionerMattei’sside,overthecourseofahuntwhichfastturnedintoaduelforthesetwoobsessives…
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艾略特·莱斯特
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Troubled by bouts of sleepwalking and disturbing nightmares, graduate student Sarah Foster goes to her university sleep research center for help. But when she wakes up after her first night of being monitored, the world she lives in seems to have changed in subtle, Twilight-Zone-esque ways.
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木宫茂
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野艺能事务所（通称TSUKIPRO）所属的4个组合，SOARA、Growth、SolidS、QUELL。充满每个组合个性的音乐，描绘日常生活的日常系音乐动画「月野事务所」第二季在舞台上展露灿烂的笑容……但在这背后，依旧有很多困难的事情。在摄像机前保持帅气的姿态……但在这背后，也有令人害臊的时候。但和同伴们一起度过的每一天，依旧令人快乐，充满了笑容和音乐！音乐中寄托着他们的思绪、愿望，以及未来。一起歌唱吧，令人心跳不已的这首歌！
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顾名思义将分析吐槽多年来好莱坞影视里的各种套路,比如坏人的设定(总有迷惑台词),床戏怎么拍(镜头切到门外风雨),表现人物吃惊必有喷饮料,威廉尖叫,遇事不决蒙太奇……罗伯·劳主持,安德鲁·加菲尔德,安迪·麦克道威尔,弗洛伦丝·皮尤,马克·斯特朗,理查德·E·格兰特,桑吉夫·巴哈斯卡,卢卡斯兄弟等人担任嘉宾,cue到的包括《泰坦尼克号》《阿甘正传》《独立日》《沉默的羔羊》等不少经典名片。
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罗布·麦克尔亨尼
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Withthequarantinefinallyover,thenewseasonofMythicQuestfindseveryonebackintheoffice(well,almosteveryone),attemptingtobuilduponthesuccessofRavensBanquetbylaunchinganepicnewexpansion,butIan(RobMcElhenney)andthenewlypromotedco-creativedirector,Poppy(CharlotteNicdao),strugglewiththegame’sdirection.Meanwhile,C.W.(F.MurrayAbraham)reconcilessomeunresolvedissuesfromhispast,thetesters(AshlyBurchandImaniHakim)testtheboundsofanofficeromance,andDavid(DavidHornsby)losesyetanotherwomaninhislifeasJo(JessieEnnis)leaveshimtoassistBrad(DannyPudi).
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Tells us about a girl named Larasati, trying to fulfill her deceased mother's last wish to deliver a box filled with letters from her past to an old guy lived in Prague. A story about forgiveness, tying loose end and bond.
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
