Toe
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Two penniless brothers with no prospects, who hope to give their thirteen-year-old sister a better future, invent an unusual job for themselves: armed with masks and mini cameras, they publically demolish the identity of the various “neighborhood sly guys” who infest Italy, transforming themselves into two improbable “heroes for hire.”
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Thejourneyofatranswomanwholeavesherhometownanddoesn'tcompromisehergoaltobeafreeandindependentwoman.
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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威尔·古勒
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肖恩·考尔法克斯（尼古拉斯·达歌斯托 Nicholas D'Agosto 饰）和尼克·布莱迪（艾瑞克·克里斯蒂安·奥森 Eric Christian Olsen 饰）是格拉德·R·福德高中橄榄球队的主力战将，二人性格开朗，英俊帅气，几乎没有那个女孩不拜倒在他们的脚下。这两个家伙也大展花花公子的风范，甚至比赛时都不忘猎艳。 转眼暑假将至，球队教练将训练营定在了德州的厄尔帕索——一个极度炎热、没有美女的荒凉地方。肖恩和尼克突发奇想，决定加入美女如云的啦啦队训练营。啦啦队队长卡丽（萨拉·罗默尔 Sarah Roemer 饰）对这两个油腔滑调的家伙极为抵触，却最终不能阻止他们加入进来。不过随着训练迎的进行，他们却发现自己越来越难以从中抽身……
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广濑贵士
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Constantlyonthehuntandsufferingfromhallucinationsthatdrivehisviolentnature,anunnamedmaniscapturingwomenandsavagelybeatingthemtodeath.Meanwhile,awomanisluringmenintoaviolentend,bywayofherknife.Drivenbythesameforcetomaketheoppositesexsuffer,thekillers’fatesintertwine.Thetwomustfaceoffinabattletothedeath,inwhichtheyareforcedtorevealthehorribletruthbehindtheiraddictiontomurder.“Brutal”takesaninterestingapproachtoitsvisuals,drawingheavyinfluencefromWestern“Grindhouse”films,usingafiltertomakethefootageappeargrainy,damaged,andwithlightandcolorfluctuations.Unfortunately,thevisualstylingendsupfeelingmisguided,asotherthanapplyingthefilteritdoesnotimitateanyotheraspectsofthe“Grindhouse”genre.Despitetryingtodirtyupthefilm,itisapparentitwasshotondigital.Thecinematographyisalsoastepabovemost“Grindhouse”productions,withTakashiHiroseprovinghehastalentbehindthecamera.Exteriorshotstothosetakingplaceinsmallspacesareallcompetentlyframed,lit,andtransitionwell.Thedecisiontoaddaneffectontopoftheworkhurtsthefilm’simageryandevengivesasenseofdesperationtotrytocaptureacertaintypeofnostalgiawiththeaudience,insteadofrelyingonitsownstrengths.Itisunfortunatewhenonecreativechoicecanhurtaproductionsomuch.Thestoryof“Brutal”issimplebuteffective,itdoesattemptsomesortofsocialcommentaryabouttheviolentnatureofmenandwomen,butitdoesnotofferenoughdepthintothesubjecttojustifytheamountofviolenceondisplay.Thefilmdoesendonastrongnotewithaninterestingtwist,witharevealthatisboundtogrosssomeout,whilegivingothersachuckle.Inspiteofitssimplenature,thosewhoenjoyfilmsthatmakethemsomewhatuncomfortableandenjoythechallengeofgettingthroughsomeultra-violence,“Brutal”posesafunandentertainingchallengeinthatregard.
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克劳迪亚·克里斯蒂安
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杰森·奥玛拉
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德里克·菲利普斯
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埃利亚斯·图费克西斯
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杰西卡·亨维克
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克里斯·迪亚曼托普洛斯
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阿德托库姆布斯·麦克马克
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马修·默瑟
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麦米·古默
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亚当·克罗斯代尔
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马特·洛
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大卫·肖内西
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弗雷德·塔特西奥
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梅琳娜·卡纳卡罗兹
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詹妮弗·黑尔
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希腊神话配景的动画来了。Netflix宣告将拍一部动画剧「众神与豪杰」(Gods & Heroes),以希腊神话为天下不雅,报告新的原创故事：一个年青人发明本人是宙斯的私生子,他也必需尽力挽救天界跟地上天下。「恶魔城」动画的制造方Powerhouse Animation打造,Charley跟Vlas Parlapanides(「惊天战神」「逝世亡条记」)任主创,共8集。配音演员包含杰森·奥玛拉(「神盾局间谍」)!洁西卡·亨维克(「铁拳」「权利的游戏」)等等。
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凯瑟琳·赫本
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CaptainVinkaKovelenkodefectsfromRussia,butnotforpoliticalreasons.Shedefectsbecauseshefeelsdiscriminatedagainstasawoman.CaptainChuckLockwoodgetstheordertoshowherthebrightsideofcapitalism,whileshetriestoconvincehimofthesuperorityofcommunism.Naturaly,theyfallinlove,butthere'sstilltheKGB,whichdoesn'tliketheideaofhavinga...
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知名女同剧情剧集《拉字至上》续集定名：《拉字至上：Q世代》(LWord:GenerationQ)，并宣布今年秋季档开播，仍在Showtime。前作主演JenniferBeals(饰演Bette)、KatherineMoennig(饰Shane)、LeishaHailey(饰Alice)回归出演原角色，并和前作制作人IleneChaiken一起任执行制作，还会有一些全新角色。新季是老版的续集，运作人为Marja-LewisRyan(2010年喜剧片《四角恋》编剧、《6Balloons》导演兼编剧)，共8集。
