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影片由两部门构成,男配角HaｍChunsu是一位片子导演,他偶尔的一次机遇下相逢了女艺术家YoonHeejung。两人经由过程咖啡!寿司晚餐间隔渐进,当YoonHeejung得悉HaｍChunsu曾经完婚后,非常绝望悲伤。第二部门展现了一个相通的故事,却有着奥妙差其余终局。曾在东京!戛纳!洛迦诺等国际片子节屡获大奖,以奇特文艺作风著名天下影坛的韩国独破片子导演洪尚秀,往年最新的力作「这时对,当时错」也将表态福州。「这时对,当时错」往年一举摘取洛迦诺国际片子节金豹奖!最佳男配角!最佳评委推举等奖项,一部作风奇特的文艺片佳作。

影片由两部分组成，男主角HaｍChunsu是一位电影导演，他偶然的一次机会下邂逅了女艺术家YoonHeejung。两人通过咖啡、寿司晚餐距离渐进，当YoonHeejung得知HaｍChunsu已经结婚后，十分失望伤心。第二部分展示了一个相通的故事，却有着微妙不同的结局。曾在东京、戛纳、洛迦诺等国际电影节屡获大奖，以独特文艺风格闻名世界影坛的韩国独立电影导演洪尚秀，今年最新力作《这时对，那时错》也将亮相福州。《这时对，那时错》今年一举摘取洛迦诺国际电影节金豹奖、最佳男主角、最佳评委推荐等奖项，一部风格独特的文艺片佳作。

Afterunhitchinghercamperatalakesideinthemountains,Fayefindsherrhythmcookingmeals,retrievingcrawfishfromatrap,andscanningheroldboxradioforastation.Shelooksexpectantlyattheapproachofacarorthemailman,explainingtoneighboringcampersthatshe’swaitingforachildhoodsweetheartshehasn’tseenindecades.Whenhedoesarrive,LitoandFay...

萨宾娜30岁了,她的母亲跟祖母都试着为她寻觅完婚工具却未果。有一天,她碰见了一位酷似片子明星的年青女子,并对他发生了兴致。他的涌现惊喜连连,使三位女性的生涯发生了变更……Astoryaboutwomen,setinthepresentandin1950sWarsaw.ThemaincharacterisSabina,aquiet,shywomanwhohasjustturnedthirty.Clearly,shelacksamaninherlife.Hermotherknowsallaboutitandtriesatallcoststofindherdaughteragoodcandidateforahusband.Thewholesituationiscontrolledbythegrandmother,aneccentricladywithasharptonguefromwhomnosecretcanbeconcealed.Successiveadmirersarriveatthepre-wartenementwherethewomenlive,butSabinaisinterestedinnoneofthem.Oneday,appearingoutofnowhere,comesthecharming,intelligent,andterriblygood-lookingBronislaw.Hispresencewillsparkoffaseriesofunexpectedeventsrevealingthedarkersideofthewomen’snature.WrittenbyWarsawFilmFestival本片是导演BorysLankosz的故事长片童贞作,也是记录片导演Lankosz初次拍剧情片。该片是击败了「市场女孩」跟「疯人院」两部片子掉掉落的加入奥斯卡最佳外语片比赛的机遇。

London-basedMillionairessEpifania(SophiaLoren)isattractedtoDr.Kabir(MDfromDelhiandPhDfromCalcutta),whoismoreintentontreatingpatients.Whenshepersists,heconfidesinherthathehadmadeacommitmenttohislatewidowedseamstressmotherthathewillwedanywomanwhowillmanagetosurviveonjustRs.500/-,for90days.Shefindsoutthatthissumisequivalenttojust35shillingsbutreadilyacceptsthischallenge.Shealsoinformshimthatherlatefatherhadalsoimposedaconditionthatshemustwedamalewhowillturn￡500into￡15000withinthesameperiod.EpifaniathenfindsemploymentwithanItalianfirm,endsupre-organizing,andturningupthefirmsprofits.Attheendof90days,shegoestomeetKabiranddiscoversthathehasnotonlygivenallthemoneyawaybutalsohasnointerestwhatsoeverinmarryingher.

LaserienarralasaventurasdeunhéroedelsigloXVIIconocidocomoáguilaRojacuyaobsesiónesvengarsedelosasesinosdesuesposaasícomolasconspiracionescontralacoronadelosAustriasporpartedeunasociedadsecretaalaquepertenecenHernán"Elcomisario"ylaMarquesadeSantillana,Lucrecia.

Sarah’sdilemma,betweenherfeelingsforGeorgeandherdutytoherhusbandRene,isexacerbatedbyaheartbreakingsecret.JamesandOlivia’srelationshipisunderpressurewhenthetrueparentageofbabyGeorgeisthreatenedwithexposure.ElizabethBligh’sdecisiontoleaveAshParktoexplorealifeofherownprovesmoredifficultthanshethought.AnnaandGinofacethedifferencebetweenthefairytaleromanceandtherealityofmarriedlife.IndependentloversCarolynandJacktrytomoveclosertoacommitment.Throughitall,Regina’smanipulativebehaviourweavesanimpenetrablewebaroundGeorge.InthesleepyvillageofInverness,sex,deathandsecretsareneverfarbelowthesurface.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

Taylorisaworkaholicwithnotalotgoingoninhersociallife.Oliveisanaspiringactress,withlittlemoneytohername.Astheholidaysnear,TaylorgetsacallfromherdadaboutvisitingherfamilyforChristmasandthattheyfinallywanttomeethergirlfriend.Sheagrees,afterfeelingguiltyaboutnotseeingtheminalongtime,butthere'saproblem:Taylorandher...

AtthetimeofthePolishsocialregime,asecurityofficerispromotedtoworkataprisonyard.Introducingconcurrentlywiththenarrator;hespeaksofhimself,histhoughts,hispointofview.Hetellsthatheisnotafraidofbanditsorgangs;onthecontraryhegetsakickoutarmedconflicts.Togetastartinhisnewduty,heshopsforawatchdog;andhebuysanuntrainedattackdogashiscompanion.Thenhespeaksoftheadjudicationsthatthedeathsentenceforfugitivesislackinginfluence.Fromhispointofview,thejudicatorytribunalmustexecutethefugitivesinpublic.Inthemorningthenextdayhewearshisuniformandstartworkingwithpride.Whilstheisonhisduty,averyharmonicmusicscorebeginstobeplayedonthepiano.Thewatchmanspectatesthepeacefullifeonthestreet.Atthattimewecatchonthatsocialismisnotagovernmentalregime;yetit’sanuneducatedbehavior.Asafinalscenethewatchmanwitnessesofacadetschool’spupilsbeingtaughtofthedemocracy.Heleavesuswithaconfusedsmile.AsoftandlikablethesisfromthePolishdirectorKieslowski.YoucanfindthisshortdocumentaryasaspecialfeatureinhisDVDofAShortFilmAboutKilling.Itcouldhelpyoutocompasshisfilmlanguage.