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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.
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In2262,EarthforceCaptainElizabethLochleyisappointedtocommandBabylon5.ThestationgrowsinitsroleasasanctuaryforroguetelepathsrunningfromthePsiCorps,resultinginconflict.G’Kar,formerNarnambassadortoBabylon5,becomesunwillinglyaspiritualiconafterabookispublishedthathewrotewhileincarceratedduringtheNarn-CentauriWar.TheDrakh,formeralliesoftheShadowswhoremainedinthegalaxy,takecontrolofRegentVirinionCentauriPrimethroughaparasiticcreaturecalledaKeeper,theninciteawarbetweentheCentauriandtheInterstellarAlliance,inordertoisolatetheCentaurifromtheAllianceandgainamalleablehomeworldforthemselves.CentauriPrimeisdevastatedbyNarnandDraziwarshipsandLondoMollaribecomesemperor,acceptingaDrakhKeeperunderthreatofthecompletenucleardestructionoftheplanet.(Portionsoftheendofhisreignareseeninvariousprescientvisionsthroughouttheseries;theyshowMollariandformernemesis(andlaterfriend)G’Karsixteenyearsinthefuturedyingateachother’sthroats,seeminglyoutoftheirgrudge.Itisgraduallyrevealedthattherewasamuchmorefriendlysubtext,withMollarihavingbecomeaslavetothedrakhruleandbeingtiredoflife;hisDrakhKeeperawakensandstranglesG’Karinreturn.VirCotto,Mollari’sloyalandmoremoralaide,succeedshimasemperor,freeofDrakhinfluence.SheridanandDelennmarryandmovetoMinbar,alongwiththeheadquartersoftheInterstellarAlliance.G’KarleavesBabylon5toescapehisunwantedfameandexploretherim.GaribaldialsomarriesandsettlesdownonMars.MostoftheothermaincharactersleaveB5.Nineteenyearslateronthevergeofdeath,SheridantakesafinaltriptotheobsoleteBabylon5stationbeforeitsdecommissioning.SheridanapparentlydiesbutisclaimedbytheFirstOnes,whoinvitehimtojointhemonajourneybeyondtherimofthegalaxy.Babylon5stationisdestroyedinademolitionshortlyafterSheridan’sdeparture,itsexistencenolongernecessaryastheAlliancehastakenoveritsdiplomaticpurposes.ThisfinalepisodefeaturesacameobyStraczynskiasthetechnicianwhoswitchesoffthelightsbeforeBabylon5isdemolished.
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在母亲铁甲般的双手下长大，母亲控制着他们从服装到事业的一切，当他们和谁共度余生时，伊奇查亚、特维斯和阿希拉三兄弟能掌控自己的生活吗？Broughtupundertheiron-cladhandsoftheirmother,whocontrolseverythingfromtheirclothingtotheircareer,willthethreebrothersItchaya,Tevis,andAshirabeabletotakecontroloftheirlifewhenitcomestowhotheyspendtherestofitwith?
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佐米·希尔拉
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几个好友结伴前往观看美国大学美式足球冠军赛，他们在前往比赛地时决定顺便在野外进行一次野营。于是，卡莉（伊丽莎•库斯伯特 Elisha Cuthbert 饰）、佩兹（帕丽斯•希尔顿 Paris Hilton 饰）等几个年轻人在了野外一处荒地扎了营。他们的恐怖经历就此展开。 首先，一名神秘的司机和这群年轻人起了争执，令大家游玩的兴致全无；接着第二天他们起床后发现，他们的汽车被人动了手脚发动不了了。在一名当地人的指引下，他们只能徒步前往附近的偏僻小镇安布罗斯找人帮忙。安布罗斯由于太过偏远，以至地图上根本没有标出它的所在。一行人来到小镇，发现这里人迹罕至。好奇心下，他们走进了镇上的杜蒂蜡像馆，这里的蜡像做得栩栩如生。原来，这是一个杀人狂魔将镇上的人杀了用真人做到蜡像！此时那杀人狂魔正在暗处幽幽的盯着他们……
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Tre Manchester的童贞座 自编自导 A family is torn apart as a result of lengthy absences and bad choices. A man is accused of being guilty, which results in him being named a fugitive. The man's son makes a decision to find his father and bring him home to a town that is struggling to survive.
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托马斯·施图伯
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ZweiTagenachihrerGeburtstagspartyverschwindetThomasAltmannsFrauAnja.Thomasmeldetsiealsvermisst.SchnellstehterselbstunterMordverdacht,daesbelastendeSpurenzugebenscheint.ThomasAnwltinLaviniaBertokzerschlgtaberdieArgumentederKriminalbeamten,dieweniginderHandhaben.Lavinia,eineattraktiveFrau,istberühmtdafür,jedenProzesszugewin...
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杰里米·卡根
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Mark(NoahWyle)andPhoebeareinthemidstofabreakup.Miguel|abulliedteenager|getsanillegalgunandaccidentallyshootsMark.Inrealtimewenowexperiencetheconsequencesofgettingshot.Usingmultiplescreentechniques|weviscerallygothrougheverythingthecouplegoesthrough|andatthesametimeseehowtheboytriestoavoidgettingcaught.Thestorytrack...
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Eightyearsafteracataclysmanddiseaseravagedthehumanrace-leavingjustoneineverytensurviving-,allsocialstructureshavecrumbledlikesandcastles.Toofewstillliveforanythingtohavebeenreconstructed.Allremaininganimalshavebeenconsumedandnosowinghasyetbeenpossible.ItisManathismostbasic,destitutelevel.Twogroupsinhabitthedesolateandabandonedland:packsoforphanedchildreninaferalstate,livinganomadiclife-stylefortheirsafety,andadults(withtheiroffspring),barelysurvivinganybetterbylivingofftheirmeat.Itisawaronlythemostdesperateofthetwowillwin.
