Con
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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乔安娜·霍格
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WithhersonEdward(TomHiddleston)abouttoembarkonavolunteertriptoAfrica,dotingmotherPatricia(KateFahy)wantstogivehimagoodsend-off,andgathersherfamilytogetherforagetawaytoaholidayhomeonidyllicTresco,oneoftheIslesofScilly.Edward’sfather’sattendanceiseagerlyanticipated,thoughsisterCynthia(LydiaLeonard)appearstobethereunde...
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安德鲁·库瑞
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在老婆莉（朱迪·汤普森 Jody Thompson 饰）逝世一年后的圣诞节,年青无为的大夫泰伦斯·赛德（艾瑞克·麦柯马克 Eric McCormack 饰）驱车带着女儿辛希娅（科娜·德维利 Conner Dwelly 饰）跟儿子杰克（瑞恩·格莱瑟姆 Ryan Grantham 饰）前去位于某个山林要地的小板屋共度佳节。一起上车马劳累,加上半路突发的一个小车祸,这些都不冲淡孩子们心中对快活的等待。夜幕来临,辛希娅跟杰克,沉觉醒去,泰伦斯物质思念着老婆生前的各种,可就在此时,一张恐惧的面貌从窗口一闪而过。 在此之后,赛德父子三人时不断会发明奇异的影像与陈迹,好像有某种奥秘而未知的货色逡巡在他们的四周。在这个大雪纷飞!旌旗灯号全无的孤寂地点,最恐惧的阅历渐次开展……
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亚历山德拉·拉米
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Annie, whose married life with Laurent is a picture of harmony. Her two young kids, Maximilien and César, are brilliant and sensitive boys, and Poupi, her teenage daughter, supports her willingly and patiently in bringing up Milo, her latest arrival. It’s a perfect family that Annie controls with a firm but loving hand. Yet one morning during an apparently uneventful weekend, t...
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InadvanceoftheD-DayLandings,paratroopersfromtheUS82ndAirborneDivisionaredroppedbehindenemylinestocapturestrategicpositions.OnesuchlocationisnearthetownofSteMereEglisewhereAmericanairbornetroopsfightNaziforcesforcontrolofabridgeheadforthreedays,topreventGermanreinforcementsfromreachingthebeaches
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A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.
