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搜索"d" ，找到 以下影视作品
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朗·霍华德
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We Feed People spotlights renowned chef José Andrés and his nonprofit World Central Kitchen’s incredible mission and evolution over 12 years from being a scrappy group of grassroots volunteers to becoming one of the most highly regarded humanitarian aid organizations in the disaster relief sector.
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约瑟夫·鲁本
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母亲的突然去世让马克（伊利亚·伍德ElijahWood饰）成为了无人照顾的可怜孩子，一直忙于工作的父亲将马克寄养在了华勒斯叔叔（丹尼尔·休·凯利DanielHughKelly饰）家，如此这般，华勒斯叔叔的儿子亨利（麦考利·卡尔金MacaulayCulkin饰）成为了马克最好的朋友。亨利是众人眼中的乖孩子，可随着时间的推移，聪慧敏感的马克发现了亨利黑暗又邪恶的内心。让马克感到震惊的是，亨利竟然企图设计谋杀妹妹康妮（QuinnCulkin饰）和母亲苏珊（温迪·古逊WendyCrewson饰）。马克想要揭露亨利的真实面目，可没有人相信他的话，反而将他看成是坏小孩，焦急之中，马克决定亲自出马，破坏亨利的计划。
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Amysteriousmastermind-Daredevilandhisteamformsaplanandcommitsbankheisttofindthecorporatelootedpeople'smoney.
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周振荣
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《跌打婆与辣妹》是由叶童、钟镇涛主演的一部香港影片。 四个问题少女，包括任性的翠儿、豪迈的Mark姐、傻气的Visa和烂赌的Showhand。翠儿已故之父亲乃江湖中人，而翠儿情倾古惑仔文青，母华姐开跌打医馆，母女相依为命。华姐为人乐观，风韵犹存，甚得客人倾慕，尤以何Sir及江湖大佬汉哥为表表者，两正邪对立。 华姐对翠儿比较开明，藉生日机会，邀翠儿朋友一起庆祝，实乘机了解翠儿交友之状况，翠隐瞒与文青之关系，并要Visa 扮作文青女朋友，弄得啼笑皆非，但各人沟通融洽愉快，关系得以暪天过海。 可惜，因Showhand的一次豪赌输钱闯祸，被大耳窿挟持迫令提款赎人，时Visa正被父亲经济封锁，Mark姐、翠儿等人无计可施。文青唯有冒险动用公款先救人，后挺罪。事后大佬Philip不但将文青毒打教训一顿，还迫文青带运毒品还债赎罪。带货当日，文青为逃避差人之截查而遇上交通意外，重伤入院，事后翠儿得悉文青出事，联合Mark姐、Visa及Showhand找Philip理论，却反被迫拍下祼照要挟各人依期还钱，四女此知祸根深种。 《跌打婆与辣妹》 自此，Philip常打电话骚扰各人，四女各怀心事，Visa父终发现Visa 有异。一向怕事的Visa被迫将事和盘托出，父大怒，带女往医馆找华姐理论。翠儿不甘母被责，挺身解释事出于帮朋友，并未行差踏错，华姐亦说出一番为人父母之感受，Visa父深表认同，全托付华姐处理，华姐邀何Sir 帮忙，联同翠儿、Mark姐、Visa及Showhand设下陷阱，里应外合，引Philip 入局迫其展现凶相。
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里卡尔多·弗里达
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John Alexander’s wife, Helen, has left him for her lesbian lover. As she speeds away from their mansion for the last time, her Jaguar explodes and she is killed. As the weeks pass, police detectives begin to suspect Helen’s death to be murder with John as a prime suspect. Still devastated by the loss, John slips into a deep depression until he views a recently made lesbian porn film that appears to feature his dead wife! He becomes obsessed with finding the woman in the film and his search propels him into the sleazy porno underworld of drugs and mobsters, with the police detectives one step behind him.
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ThefilmdelvesintotheunexploredthemeofthedisplacementoftheRusyn,anEastSlavicethnicgroupfromtheEasternCarpathiansinCentralEurope,duringtheconstructionoftheStarinareservoirinthe1980s.Setagainstthistumultuousbackdrop,Floodintertwinespersonalandcollectivestories,bringingtotheforefronttheoften-overlookedplightoftheRusynminorityinSlovakia.Gonda'sfilmspeakstominorities,individualswhohaveexperienceddisplacementandyoungadultsthroughitsprotagonist,Mara.Thestoryunfoldsinasmallvillage,threatenedbyanimpendingfloodduetotheconstructionofthereservoir.Mara,ayoungwomanyearningforcitylifeandaneducation,isboundtoherruralrootsbyherstrictfather,aRusynfarmer,whorefusestorelinquishhislandandlegacydespitetheloomingendoftheirworld.Floodexploresthethemesofadolescence,uprootingandthesacrificeofpersonaldesiresforthegreatergood.Thefilmseekstoelicitreflectionsonone'srootsandtheconceptofhome,aswellasthechallengesofnavigatingadisappearingcultureandheritage.TheStarinareservoir'sconstruction,whichlastedfrom1981-1988,ledtothelargestdisplacementinSlovakhistory.Gonda'spersonalconnectiontotheregion,havingspenthischildhoodsummersthere,addsalayerofauthenticityanddepthtothenarrative.ThefilmnotonlyrecountsthephysicaldestructionofthesevenRusynvillages,butalsocapturestheemotionalandculturalimpactofthiseventonthecommunity.Thedirectoraimstopresentadeeplyresearched,emotiveandintimatestoryaswellasdivingintothecomplexdynamicsbetweenpersonalidentity,communitytiesandtheinexorablemarchofprogress.Themovieispoisedtoengageandchallengeaudiences,fosteringadeeperunderstandingoftheoften-painfulinterplaybetweentraditionandmodernity.
