Asse
搜索"Asse" ，找到 以下影视作品
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100yearsago,thesistersYodandYardwerethewivesofPhraWanathep.YardwasaloyalservanttomadamKamlai,hismainwife.ButKhunThepaskedYodtohelphimgethersisterandhewouldrewardher.SoYodknockedheroutandWanatheprapedher.Later,YodtricksYardintogivingpoisontoKamlai,togetridofherandgetYardintrouble,soshecanreadmorehaveKhunThepalltoherself.SoYardunintentionallykillsKamlaiandher2daughters.AlltheservantsfindoutthatYardkilledKamlaisotheyhungher.YodsmotherfindsoutthatshecausedYardsdeathsoshestabbedYodandputacurseonher,ifshewastocausehermothertocryatearagain,shewillneverbeabletogetreborn.KhunThepwasrebornasWitsanu,anaward-winningbiographydirector.WitsanureceivedworkfromaTVshowcalledLaoRuangTeukGao(Tellingthestoryofoldbuildings).Palisayoungarchitectthathoststheshow,andforthisparticularepisodethestoryofPhraWanathep’shomeisbeingtold.ThehomeislocatedintheNangBarb(SinWoman)amphoe/district.Duringfilming,thestaffseessomethingstrange.TheydontknowthattheplaceishauntedbytheghostsofYodandYard.KamlaiwasrebornasanactressandYodwantstoapologizeforhersins.SoYodandYardenduppossessingRuengrinandWisa,causingabsolutechaosfortheteam.
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朴孝朱
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Achillingmysterythriller,blessedbystirringimaginationandstrikingactingperformances,especiallybychildactors.Amongwittyscaresinventedbythedirectorherself,wegetclosertountreatabletruesinsoftheCatholicreligion.Skilfullyraisedfantasiesaboutexorcism,possessionandresurrectionslowlytransformintobreath-takinghorror,whichmaynotleaveyourthoughtsforalongtimeafterthescreening.AdevotedlyfaithfulfamilymournstheireldersonHan-byul.BothparentssincerelybelievethatitisthehandofgoodlordJesusthatteststhemwithpainfulsuffering.Thereverendadvisesadoptingachildwithspecialneedsandsharingallthelovetheystillhaveintheirwoundedheartsafterthetragicaccident.SothegrievingparentsembracevisuallyimpairedcharismaticIsaac,whoquicklyfindshisplaceintheirspacioustwo-storeyhouse.Theacutelysensitiveboycountsthatthekindfamilystillconsistsofsevenmembers,andwitnesseshowthecryingHan-byulconstantlyvisitsthem.Confusedbyincrediblerevelations,themotherstartstonoticepreviouslyunseenguidingsigns.Guiltconfrontssanity.Grieftransmitsintofear.Doubtsbringhomeobsession.Newcluesexposehurtfullies.Divinefaithopensallgatestopowerfuldevilishmanipulations.Theprolongedprocessofhealingdispersesintodrownedsecrets.Howlongcanyoubelievesomethingwhisperedbysomeonewhoisnotentirelytrustworthy?Howfarwillalovingmothergotoprotectheradoptedchildwhosuddenlyuncoversnot-so-pleasanttruths?源自：https://poff.ee/en/film/the-other-child/
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斯科特·温特罗布
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Anexjunkiewitnessesamurder.Sheisforcedtocooperatewiththekillertosaveherdaughter'slife.Shemustfighttime,thepoliceandcriminalunderworldtosavetheonlypersonwhomeanssomethingtoher.
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During the first day of being a teacher, Kumarika (Aom Sushar Manaying) runs into a big problem when she fails to check the school schedule. Due to her unawareness, she ends up fighting with the man who owns the whole school causing her to fear that she will not only fail her assessment but lose her job. Kumarika is shocked, however, to find the owner only flirts with her inst...
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An unexpected blizzard threatens the Parton family, while at the same time Dolly's father (and his kids) make sacrifices to raise enough money to finally buy his wife the wedding ring he could never afford to give her. Meanwhile, an important person in little Dolly's life begins to see that her amazing voice and musical gift might just be made for something bigger than rural Tennessee.
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Krypticisapsycho-thrilleraboutawoman’ssearchforamissingmonsterhunterandhergrowingrealisationthatsheisinescapablylinkedtothecreaturebeingpursued.
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提·辛纳帕拉迪
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当一个新的出租房屋租客遇到一个失忆的幽灵。抢救发生在死亡后49天。让我们一起看看他能不能逃脱的结论。)~~改编自泰国漫画《我和我房间里的鬼》。Whenanewrentalhousemovesleadingtomeetanamnesiacwraith.Therescueoccurred49daysafterdeath.Let'sseetheconclusiontogetherthathecanescapeornot.~~AdaptedfromtheThaicomic“MeandtheGhostInMyRoom”.
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贝特朗·波尼洛
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影片将通过展现海地女孩Clairvius Narcisse的个人命运，来探讨民族与幻想的边界。Narcisse是伏都教法术的牺牲品，巫术将她变成了僵尸。时间线将在1962年的海地与现代法国巴黎之间跳跃，而故事则围绕着15岁的Narcisse，和她身为巫毒女祭司的姨母之间进行。
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After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --? Official Site
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
