Rud
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恩佐·巴博尼
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The movie concerns about Trinity(Terence Hill=Mario Girotti)a roguish and cocky gunman with fast weapon who works as bounty hunter.His brother Bambino(Bud Spencer)is sheriff in a village but is also an undercover thief which attempts execute a heist. The'll face off against a rich owner(Farley Granger) and a Mexican marauders who try evict to a Mormons group. They help to the pacific settles and the confrontation will be inevitable but is developed by means of successive fights without blood,neither gore or cruel murders.The violence isn't crude but slight and predominates the comedy and parody. The storyline is embarrassment and ridiculous but has its agreeable moments here and there.It's a spaghetti western with humor and narrates the usual issues:invincible antiheroes,spectacular showdown ,violent taking on but united to slapstick and simple humor.It's an entertained Italian western with adequate runtime where there are irony,tongue in check,shoot outs,numerous struggles and is quite funny and amused. Terence Hill is sympathetic,hilarious and likable; Bud Spencer is rough, two fisted,bouncing ,grumpy man but with good heart,their characters are similar to Stan Laurel and Oliver Hardy.The film is a spoof of famous films as ¨the magnificent seven¨ and ¨blazed saddles ¨but covered with spaghetti.The picture obtained a sequel with the same protagonists and director¨Trinity is still my name¨.Besides originated a series of awful imitations and copies. Rating:nice and bemused.
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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WelcometoEasterCove,asaltyfishingvillageonthefarreachesofMaine’srockycoast.Grievingthelossoftheirmotherandfacinganuncertainfuture,MaryBeth&PriscillaConnollycoverupagruesomerun-inwithadangerousman.Toconcealtheircrime,thesistersmustgodeeperintoEasterCove’sunderbellyanduncoverthetownmatriarchsdarkestsecrets.WrittenanddirectedbyBridgetSavageColeandDanielleKrudy,starringMorganSaylor,SophieLoweandMargoMartindale.BlowTheManDowniscomingonlytoPrimeVideoMarch20.
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The story offorty-something, out-of-work washing machine repairman Rudy. He decides to takeback control of his life after a bad patch, but he notices with bitterness thatthose he abandoned along the way are not ready to welcome him with open arms.While the demons from the past come knocking at his door, a chance encounter onthe Internet will change the course of his life.
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埃德·赫尔佐格
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Franz（塞巴斯蒂安·贝策尔饰）在巴伐利亚小镇里做警员做得悠然得意,他并不想变更到慕尼黑。但是一桩忽但是至的凶杀案又将他带回到了他熟习的小镇上。Franz跟他的老搭档Rudi（西蒙·舒瓦茨饰）以及分分合合反重复复的女友Susi（丽萨·波特霍夫饰）的欢快探案又开端了。
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玛娅·鲁道夫
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亚当·斯科特
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MJ·罗德里格斯
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罗恩·芬奇斯
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奈特·法松
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乔尔·金·布斯特
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斯蒂芬妮·斯泰尔斯
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米根·费伊
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安妮·斯泰德曼
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奇普·齐纳里
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吉安·弗朗哥·托尔迪
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奥利维埃·马丁内斯
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维克托·沃尔夫
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洁基伯明翰
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Albert
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Malafronte
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Elizabeth
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Thieme
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Elizabeth
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Thieme
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Cheryl
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Francis
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Harrington
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Michael
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Vargas
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Ana
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Rey
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Kimberly
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Wallis
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Jamila
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Allen
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Alex
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Elin
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Goyc
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MayaRudolphisMollyNovak,abillionairereadytosavetheworld.LootpremieresJune24onAppleTV+.Afterdivorcingherhusbandof20years,MollyNovakmustfigureoutwhattodowithher$87billionsettlement.Shedecidestoreengagewithhercharitablefoundationandreconnectwiththerealworld—findingherselfalongtheway.InadditiontoRudolph,theLootensemblecastisledbystarsMichaelaJaéRodriguez(“Pose”),RonFunches(“Undateable”),NatFaxon(“Married”)andJoelKimBooster(“Sunnyside”).Lootiscreated,writtenandexecutiveproducedbyYangandHubbard.Rudolphexecutiveproduces,alongwithNatashaLyonneandDanielleRenfrewBehrens,throughtheirAnimalPictures.DaveBeckyof3Artsalsoservesasexecutiveproducer.LootisproducedforApplebyUniversalTelevision,adivisionofUniversalStudioGroup.
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玛丽（汉娜·许古拉 Hanna Schygulla 饰）爱上了名叫埃里希的男人，可是埃里希眼里只有钱。为了能够赚钱，埃里希甚至怂恿玛丽去做妓女。保尔（Rudolf Waldemar Brem 饰）和海尔共度了浪漫的一夜，可是保尔只将它当做是交易罢了，然而海尔怀孕了，被逼无奈的保尔只得和海尔结婚。 罗西（埃尔加·索尔巴斯 Elga Sorbas 饰）渴望成为一名演员，可如今她离自己的梦想依然十分遥远，为了维生，罗西还要出卖自己的肉体，来换取微薄的金钱。这些人都住在伊丽莎白（伊尔姆·海尔曼 Irm Hermann 饰）的房子里，伊丽莎白是一个冷酷无情的女人。这一天，伊丽莎白的屋子里来了一个名叫岳格思（赖纳·维尔纳·法斯宾德 Rainer Werner Fassbinder 饰）的希腊人，他的到来打破了在此处维系的微妙的平衡。
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尼古拉斯·希特纳
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这是一群高智商男生们的故事。二十世纪八十年代，英国北部的一所男子中学里，八个高中生正积极准备着牛津和剑桥大学的招生考试。这几个男生性格各异。有万人迷，自视甚高的Dakin（多米尼克?库珀 Dominic Cooper 饰）；有四肢发达头脑不简单的Rudge（拉塞尔?托维 Russell Tovey 饰）等。他们对课本对知识有属于自己的解读。 教他们文学的是个肥胖，教学方式独特的怪老头Hector（理查德?格雷弗斯 Richard Griffiths饰），他主张学生通过课本获得情感上的共鸣和享受，而不是单纯为了升学而读。与他教学模式相反的则是学校新聘请的老师Tom（斯蒂芬?坎贝尔?莫尔 Stephen Campbell Moore 饰）。Tom的目标则是协助这些孩子尽可能考上牛津或剑桥。两种老师的两种教学模式，究竟孰优孰劣，或许并没有一个标准答案。
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Notat is a feature film based on the real events of the first act of terror in Denmark.Copenhagen, Feburary 14, 2015. On an icy cold winter's day, a terrorist attack is carried out, targeting first an event on freedom of speech at the cultural centre “Krudttønden” and then the synagogue of Copenhagen during a bat mitzvah.
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Bear drops into the swamps of Florida's Everglades, where at least 60 - tourists need to be rescued each year. He trudges through the swamp and shows how to construct shelter, deal with razor-sharp sawgrass, get out of a muddy sinkhole, avoid alligators and rattlesnakes. He eats frogs and cooks a turtle Seminole-style.
