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蓝光/2024-02-1523:38:01
剧情,动作
中国香港
蓝光/DVD
其它
本片是2014年爆款动作片《走到尽头》的菲律宾翻拍版。讲述警察爱德蒙·威廉在匆忙奔丧的路上意外撞人，随后卷入被敲诈勒索的危险局面。在动作片领域有专攻的菲律宾导演劳伦斯·法哈多，在本片中对节奏拿捏精准，不仅故事环环相扣惊险刺激，室内打斗动作更是迅猛凌厉，让观众肾上腺素飙升。他还为影片加上了大量本土化背景，以犯罪片的形式对某些社会现象作出了批评。
蓝光/2024-02-1310:22:45
动作片
中国香港
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美国
蓝光/BD超清中字
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中国香港
蓝光/HD
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中国香港
蓝光/超清
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中国大陆
蓝光/超清
动作片
中国大陆
蓝光/HD
动作片
中国香港
蓝光/HD
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中国香港
蓝光/超清
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中国香港
蓝光/HD
匈牙利
蓝光/HD
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中国台湾
蓝光/HD
动作片 悬疑 剧情
大陆
蓝光/超清
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中国香港
蓝光/超清
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中国大陆
蓝光/HD
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中国香港
蓝光/HD
动作片
大陆
蓝光/HD
动作
中国香港
蓝光/HD
其它
Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
蓝光/2024-02-1318:28:09
喜剧,动作
美国
蓝光/HD
动作片
中国香港
蓝光/HD
剧情,动作,奇幻
大陆
蓝光/HD中字
动作片
美国
魔法世界再临，迎接大规模魔法战斗场面！艾碧嘉居住的城市，曾经充斥着不可思议的黑魔法，却被政府秘密封锁，艾碧嘉的父亲也因此消失无踪。长大的艾碧嘉体内的魔法力量渐渐苏醒，她是否能逃过一劫？
蓝光/HD
动作片
中国香港
蓝光/HD
日语
蓝光/2024-02-1017:01:39
动作片
中国大陆
蓝光/超清
美国
美国
蓝光/HD中字
动作片
中国大陆
蓝光/超清
动作片
中国香港
蓝光/HD
动作片
中国香港
蓝光/HD
英语
Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
蓝光/2024-02-1516:01:47
