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影片库为你选出3167部影片
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美国
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中国大陆
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加拿大
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加拿大
Elie,ayoungwomanfromthecity,hascometoaremoteNorthAtlanticisland.Itsthespringthaw,andsheisheretoconvalesceandgettoknowthecommunity.Theannualsealhuntisinfullswing,andEliefeelsbothdrawntoandrepelledbythemenengagedinit.Inthisisolatedworld,peopleslivesanddeathsareshapedbythebruteforcesofnature.Eliespresencearousescuriosityandmistrust.Maria,thevillagematriarchanddenmother,seekstouncoverthesecretreasonbehingEliesvisit.Wolvesexplorestheprofoundneedforbelonging.
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科幻片
中国大陆
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英国
1940年的英国战争不断,每天都有敌军的空袭轰炸,但比满目疮痍伦敦更残破的是人民绝望的心,面对未知的生命无常,电影成了唯一的心灵慰藉。资讯局电影部想要提升国家士气和民心,开始拍摄政治宣传电影,为了增加电影中的女性观点,原本从事广告文案的凯瑟琳(杰玛·阿特登 饰)被邀请加入编剧小组,和主编巴克利(山姆·克拉弗林 饰)一起编写歌颂英国人在敦刻尔克行动中英勇事迹的剧本。大男人的巴克利遇上温柔的凯瑟琳,挖苦彼此的对白、斗嘴不断,但随着两人一起经历疯狂赶戏和剧本,默契和爱苗都悄悄滋长。然而战事持续恶化,电影拍摄
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韩国
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法国
当不少人认为「脸庞,村落」(2018)是华妲退休前最后佳构,她连奥斯卡毕生造诣奖亦袋袋安然,偏偏俏皮一笑,又交出这部生动生猛的记录片。由巴黎!洛杉矶到北京,快马加鞭开班分享创作理念,这位九十岁祖师奶奶不言倦,横竖名堂光阴已被唤作「法国新海潮祖母」,索性成为影坛万年轻。 本尊娓娓道来启示「短角情事」(38 - 届)的猎奇心,「拾穗者与我」(25 - 届)的精致视察;至今不辍光影试验,不惜将艺术触觉传承。是为终生回想展!言之尚早。
蓝光/超清
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英国,卡塔尔,约旦,伊朗
故事产生在两伊战役时期,业已立室生子的Shideh(Narges Rashidi饰)盼望回到大黉舍园实现学业,但是汗青疑问使她的学业之梦彻底幻灭。她的老公Iraj(Bobby Naderi饰)是一名奇迹有成的大夫,Iraj未多少前接到征兵告诉,这让原来心境烦乱的Shideh更加烦躁不安。令人不快的辩论当时,一家三口凄凄死别。他们的小女儿Dorsa(Avin Manshadi 饰)夜晚无奈坦然入睡,Dorsa从小搭档那边据说了巨灵的恐惧故事,这让她心有惴惴,时辰担忧恐惧来临。 烽火里家门口越来越近,逝世亡时辰威逼着这对孤独的母女,而超天然的景象也接踵在摇摇欲坠的家中产生……
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美国
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美国
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美国
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韩国
韩国反恐局最优秀特工李正宇(郑雨盛饰)偶遇情报局展厅向导尹惠仁(秀爱饰),被其深深吸引,无奈屡屡示好均被冰山美人果断拒绝,不解之余渐渐感觉到惠仁身上似乎有别样身世迫其努力与他人保持距离。时值韩国自主研发最新核反应堆关键时刻,而这一消息对名为“雅典娜”的组织而言则如惊天霹雳,此秘密存在的组织一直掌控着全球能源市场,为保住其统治地位,不惜发动恐怖袭击甚至挑起战争。此次韩国成了他们的眼中钉,为达目的,组织动用了其核心成员,安插在美国情报局东亚分部的部长孙赫(车胜元饰)利用职务之便,不惜一切阻止韩国的研发进程,必要再掀一番血雨腥风。孙赫佯称协助韩方工作被美国情报局派回韩国,即刻开始大规模网罗整个东亚关于核反应堆研发的最新情报,甚至大开杀戒,铲除一切了解雅典娜组织,或是被韩国反恐局发现的组织成员。不断发生的离奇案件引起了反恐局的怀疑,通过追查线索,发...
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香港
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中国大陆
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美国
曾经发生过灭门惨案的凶宅,而今又迎来了新的主人。单亲妈妈考特尼(莎妮·索萨蒙ShannynSossamon饰)在摆脱了失败的婚姻后,带着双胞胎儿子迪伦(罗伯特·丹尼尔·斯隆RobertDanielSloan饰)和扎克(达塔尼安·斯隆DartanianSloan饰)搬进了这里。考特尼为了生计疲于奔波,而迪安似乎又收到某种神秘的力量所影响。他能看见穿戴整洁却一脸阴气的朋友米洛,更在对方的指引下看了那卷凶残可怖的录像带。在此期间,一名前警官以私人侦探(詹姆斯·兰索恩JamesRansone饰)的身份入住母子的家中,他曾持续追查这栋凶宅幕后的真相。迪安似乎越陷越深,恐怖邪恶的力量牵扯着这一家人沉向死亡的泥潭……
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澳大利亚,爱尔兰
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美国
埃里森·奥斯沃特(伊桑·霍克 Ethan Hawke 饰)是一个十几年前小有名气的犯罪小说作家,为了寻找创作灵感,他不惜一次次搬入曾经发生过命案的凶宅。时至今日,为了重现往昔的辉煌,他再次带着妻子崔茜(Juliet Rylance 饰)以及一双儿女特里夫(Michael Hall D'Addario 饰)和艾丝莉(Clare Foley 饰)搬入一栋凶宅。在收拾阁楼时,他偶然发现一卷家庭录影带,里面记录着房子前主人一家快乐幸福的生活瞬间以及他们被吊死在树上的惨烈画面。此后的日子里,他一遍遍观看录影带,从中寻找罪犯的蛛丝马迹,并且在房屋内的每个角落追查线索。
在这一过程中,各种诡异事件相继在家人身上发生。埃里森此时已难以抽身……©豆瓣
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比利时
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中国大陆
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法国,比利时
凯撒为了淡化阿斯特里克斯村庄的团结,削弱当地的习俗,在高卢附近建立一个度假村。村民前方百计破坏这项工程,首先是神奇的森林补植,然后在罗马人搬入新夏后吓跑他们,最后又将刚迁入的罗马兵团痛打
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中国大陆
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美国,英国
战斗中负伤而下身瘫痪的前海军战士杰克萨利(萨姆沃辛顿SamWorthington饰)决定替死去的同胞哥哥来到潘多拉星操纵格蕾丝博士(西格妮韦弗SigourneyWeaver饰)用人类基因与当地纳美部族基因结合创造出的“阿凡达”混血生物。杰克的目的是打入纳美部落,外交说服他们自愿离开世代居住的家园,从而SecFor公司可砍伐殆尽该地区的原始森林,开采地下昂贵的“不可得”矿。在探索潘多拉星的过程中,杰克遇到了纳美部落的公主娜蒂瑞(佐伊索尔达娜ZoeSaldana饰),向她学习了纳美人的生存技能与对待自然的态度。与此同时,SecFor公司的经理和军方代表上校迈尔斯(史蒂芬朗StephenLang饰)逐渐丧失耐心,决定诉诸武力驱赶纳美人……
蓝光/超清
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西班牙
这个依据实在故事改编的影片配景产生在1966年,披头士乐队在西班牙南部都会阿尔梅里亚巡演时。“闭上眼睛在世很轻易”是一句歌词,起源于列侬在此次西班牙巡演时谱写的披头士乐队的一首单曲:「Straberryfieldforever」(草莓园永久),这部影片也是与他有关的影片,然而报告的并不是他的故事,而是三位差别阅历,差别出生的人想方想法去亲近跟看望约翰列侬的故事:一个狂热痴迷约翰列侬的奔赴披头士乐队巡演地的西班牙英语教师,一个年仅十六岁离家出奔的男孩,一个怀怀孕孕同样也在回避着什么的年青女孩···他们在一同的旅途,会碰撞出什么样的火花跟故事!而这部影片与约翰列侬又有着什么样的关联!2014年西班牙戈雅奖最佳影片!最佳女演员!最佳原创脚本。
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韩国
在孤儿英美(河智苑 饰)的生命中,有这么一位“长腿叔叔”:他为她资助学费,年年送她温暖的问候和礼物。英美总是期待能和长腿叔叔见面,感谢他的帮助。然而长腿叔叔却总是神秘地藏在她生活的背后。 大学毕业的英美进入电台担任编剧,并在以前同事的一间宿舍里住下。在这位旧同事留下的电脑中,她发现了一封未寄发出去的邮件,从邮件中,英美得知这是一个感人肺腑的爱情故事,故事的主人公默默地爱着另一个人,10年来爱意从未间断。如今,写信人患病了,将会慢慢失却记忆…… 英美决定要像长腿叔叔那样,帮助那些善良而无助的人,她要为那位陌生的同事找到意中人。 同时,英美也遇上了自己的白马王子,那就是电台同事俊浩(延正勋 饰)。当二人的感情浪漫铺开时,英美却发现了一个意想不到的秘密……
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美国
以清洁房屋为生的单身母亲罗丝(艾美•亚当斯Amy Adams 饰)高中时曾是风光一时的校啦啦队员。当年男友迈克(史蒂夫•赞恩 Steve Zahn 饰)终于另娶他人,罗丝却与身为警察的迈克依然保持情人关系。罗丝八岁的儿子奥斯卡(杰森•斯佩瓦克 Jason Spevack 饰)因捣乱被学校开除,罗丝决定送儿子入私立学校学习。迈克告知罗丝犯罪现场清洁有利可图,于是罗丝与失业的妹妹诺拉(艾米丽•布朗特 Emily Blunt 饰)组成“阳光清洗公司”,专门清洁犯罪、事故现场,而做小生意的父亲乔(阿兰•阿金 Alan Arkin 饰)暂时照顾奥斯卡。可公司起步没多久,却因诺拉的失误造成了无可挽回的损失,姐妹二人也因此不欢而散…… 本片被提名2008年圣丹斯电影节评委会大奖。
蓝光/超清
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美国
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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中国大陆
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韩国
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韩国
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美国
一个被委屈的男子的双胞胎女儿困扰着一个小镇。年青的乔丹被送到谁是真正的杀手,只发明杀手是异常亲近她。
蓝光/超清
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苏联
In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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